“That being's obligations go forward to the beings it in turn summons to life. The child, becoming in time a parent, assumes a parent's debt. The obligation passes on from generation to generation, moving always to the future, never back to the past.”
“Somewhat original theories!” sniffs the old man. “I suppose, then, a parent in his old age has no right to look for support to his children?”
“It is the duty of people, before they presume to become parents, to provide against the likelihood of ever being a burden to their children. In accepting from their children, they rob their children's children. But the world isn't sufficiently advanced yet to make people so far-seeing and provident, and many parents do have to look to their children for support. In such cases, the child ought to provide for the parent, but out of love or humanity, not because of any purely logical claim. You see the difference, of course.”
Mr. Kenby gives a shrug, and grunts ironically.
“The old-fashioned idea still persists among the multitude,” Larcher goes on, “and many parents abuse it in practice. There are people who look upon their children mainly as instruments sent from Heaven for them to live by. From the time their children begin to show signs of intelligence, they lay plans and build hopes of future gain upon them. It makes my blood boil, sometimes, to see mothers trying to get their pretty daughters on the stage, or at a typewriter, in order to live at ease themselves. And fathers, too, by George! Well, I don't think there's a more despicable type of humanity in this world than the able-bodied father who brings his children up with the idea of making use of them!”
Mr. Larcher has worked himself into a genuine and very hearty indignation. Before he can entirely calm down, he is put to some wonder by seeing his auditor rise, in spite of rheumatism, and walk to the door at the side of the room. “I think I'll lie down awhile,” says Mr. Kenby, curtly, and disappears, closing the door behind him. Mr. Larcher, after standing like a statue for some time by the fire, ensconces himself in a great armchair before it, and gazes into it until, gradually stolen upon by a sense of restful comfort in the darkening room, he falls asleep.
He is awakened by the gay laugh of Edna Hill, as she and Florence enter the room. He is on his feet in time to keep his slumbers a secret, and explains that Mr. Kenby has gone for a nap. When the gas is lit, he sees that Florence, too, is bright-faced from the outer air, that her eye has a fresher sparkle, and that she is more beautiful than before. As it is getting late, and Edna's Aunt Clara is to be picked up in a shop in Twenty-third Street where the girls have left her, Larcher is borne off before he can sufficiently contemplate Miss Kenby's beauty. Florence is no sooner alone than Mr. Kenby comes out of the little chamber.
“I hope you feel better for your nap, father.”
“I didn't sleep any, thank you,” says Mr. Kenby. “What an odious young man that was! He has the most horrible principles. I think he must be an anarchist, or something of that sort. Did you enjoy your tea?”
The odious young man, walking briskly up the lighted avenue, past piano shops and publishing houses, praises Miss Kenby's beauty to Edna Hill, who echoes the praise without jealousy.