[After quoting passages from Mr. Gladstone's letters to himself, showing the hold which Walter Scott had over his friend's mind, Mr. Hope-Scott states his reasons for abandoning his original idea of having a new Life written, and for preferring to publish an Abridgment of it, and the Abridgment by Lockhart himself:—]
A work of art in writing is subject to the same rules as one in painting or in architecture. Those who seek to represent it in a reduced form must, above all things, study its proportions, and make their reduction equal over all its parts. But, in the case of written compositions, there are no mechanical appliances as there are in painting and architecture, for varying the scale; and there is, moreover, a greater difficulty in catching the leading principle of the design, and thus establishing the starting- point for the process which is to follow. Hence, an abridgment by the author himself must necessarily be the best—indeed, the only true abridgment of what he has intended in his larger work; and I deem it very fortunate that Cadell's influence overcame Lockhart's repugnance to the task….
There is [however] an abiding reason why Scott's personal history should not be too freely generalised, and an abstract notion be substituted for the real man…. In Scott, if in any man, what was remarkable was the sustained and continuous power of his character. It is to be traced in the smallest things as well as in the greatest; in his daily habits as much as in his public actions; in his fancies and follies as well as in his best and wisest doings. Everywhere we find the same power of imagination, and the same energy of will; and, though it has been said that no man is a hero to his valet-de-chambre, I am satisfied that Scott's most familiar attendants never doubted his greatness, or looked upon him with less respect than those who judged him as he stood forth amidst the homage of the world. In dealing with such a character, it is hardly necessary to say that the omission of details becomes, after a certain point, a serious injury to the truth of the whole portrait; and if any man should object that this volume is not short enough, I should be tempted to answer, that if he reads by foot-rule, he had better not think of studying, in any shape, the life of Walter Scott.
[In what follows, Mr. Hope-Scott speaks of 'the depth and tenderness of feeling which Lockhart, in daily life, so often hid under an almost fierce reserve,' and regards it as matter of thankfulness that he was spared the suffering he would have felt in the death of his only daughter, 'whose singular likeness to her mother must have continually recalled to him both the features and the character of her of whom he wrote' those touching words in the original Life which Mr. Hope-Scott quotes, with evident application to his own bereavement, to which he makes a short and sad reference. He concludes:—]
And now, my dear Gladstone, vive valeque. You have already earned a noble place in the history of your country, and though there is one great subject on which we differ, I am able heartily to desire that your future career may be as distinguished as your past. But since it is only too certain that the highest honours of statesmanship can neither be won nor held without exertions which are full of danger to those who make them, I will add the further wish, that you may long retain, as safeguards to your health, your happiness, and your usefulness, that fresh and versatile spirit, and that strong sense of the true and beautiful, which have caused you to be addressed on this occasion by Your affectionate friend,
JAMES R. HOPE-SCOTT.
The Right Hon. W. E. Gladstone.
Dr. Newman's letter, on receiving from Mr. Hope-Scott a copy of the
Abridgment, is full of interest:—
The Very Rev. Dr. Newman to J. R. Hope-Scott., Esq., Q.C.
The Oratory: May 14, 1871.