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[Original]
The Cathedral is so hemmed in by the various buildings of Christ Church that it is difficult to obtain a comprehensive view from the outside. Perhaps one sees it best from Merton Fields, with the beautiful Rose Window prominently visible. Even so the Cathedral is in part hidden by the ancient Refectory of St. Frideswyde's (long since converted into rooms). This is the view, sketched from the nearer foreground of the Canon's Garden, which appears in Mr. Matthison's drawing, only that the Rose Window is hidden by trees. The spire—or spire and tower combined—no longer holds the bells which chimed originally in Osney Abbey, on the river's farther side; they were removed to the new Belfry (completed in 1879), which appears to the left of the Refectory.
We are now to speak of the interior of the building. It is sketched from various points of view in the accompanying six illustrations: but twice as many would not suffice to exhaust its interest. At no time does the nave appear more impressive than when a shaft of sunlight strikes across the massive columns; and Miss Cheesewright has sought to fix upon her canvas the charm of such a moment. The Lady Chapel was added early in the thirteenth century; here are enshrined the remains of St. Frideswyde, which were moved several times before they reached their final resting-place. The Latin Chapel dates from the fourteenth century, and is full of interest. Some of its carved woodwork is to be referred to Wolsey's time, and it contains the tombs, among others, of Lady Elizabeth Montacute, the Chapel's reputed builder, and of Sir George Nowers, a comrade-in-arms of the Black Prince. Other notable tombs in various parts of the Cathedral are those of Robert Burton, author of the Anatomy of Melancholy; Bishop Berkeley, the metaphysician and upholder of the virtues of tar-water; Bishop King, last Abbot of Osney and first Bishop of Oxford; Dean Liddell and Dr. Pusey. A window in the south transept depicts the murder of Thomas à Becket, whose head has been obliterated, by the order, it is said, of Henry VIII. Another window in the same transept commemorates Canon Liddon. The art of Burne-Jones has contributed not a little to the Cathedral's beauty. In the east window of the Latin Chapel he has set forth the romantic story of St. Frideswyde. Another of the windows which he designed is at the east end of the Lady Chapel, and serves as a memorial of Mr. Vyner, who was murdered by Greek brigands in 1870; another, at the east end of the north aisle of the choir, commemorates St. Cecilia, with which corresponds a "St. Catherine of Alexandria" in the south aisle, put up in memory of Miss Edith Liddell, daughter of Dean Liddell. Lastly, at the west end of this aisle, the artist has chosen "Faith, Hope, and Charity" as his subject.