One of the earliest benefactors whom "Univ." (as this College is familiarly termed in Oxford) is bound to remember is Walter Skirlaw, who became Bishop of Durham in 1403. He ran away from his home in youth in order to study at Oxford, and his parents heard no more of him (according to his biographer) till he arrived at the see of Durham. He then sought them out, and provided for their old age. Another benefactor (1566) was Joan Davys, wife of a citizen of Oxford, who gave estates for the support of two Logic lecturers, and for increasing the diet of the Master and Fellows. Had Mr. Cecil Rhodes heard of this lady? To touch on the Masters of "Univ.," a curious career was that of Obadiah Walker, who lost his Fellowship in Commonwealth times for adherence to the Church of England; later on was made Master and turned Roman Catholic; enjoyed the favour of James II.; and lost his Mastership at the Revolution for adherence to the Church of Rome.
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Of the present buildings of the College none is of earlier date than the seventeenth century. The two Quadrangles form a grand front towards the High Street, with a tower over each gateway at equal distances from the extremities. Above the gateways are statues of Queen Anne and Queen Mary, on the outside; two more, within, represent James II. and Dr. Radcliffe. It was mainly at the cost of John Radcliffe, a member of the College, that the smaller Quadrangle was completed. Other famous members were the brothers Scott, afterwards Lords Stowell and Eldon; Sir William Jones, the great Oriental scholar; and Sir Roger Newdigate, responsible for so many thousand heroic couplets, who gave the handsome chimney-piece in the Hall. It is curious to notice, by the way, that the fireplace stood in the centre of this room until 1766. The Common Room contains two specimens of an out-of-the-way art, portraits of Henry IV. and Robert Dudley, Earl of Leicester, burnt in wood by Dr. Griffith, a former Master.
The beautiful monument to the poet Shelley, set up in the College in 1893, is the gift of Lady Shelley. Its honoured position within the walls of the Foundation which drove him out so hastily and harshly is indeed a fitting emblem of "the late remorse of love."