The virgin lilies, in their white,
Are clad but with the lawn of almost naked light.
“The violet, Spring’s little infant, stands
Girt in thy purple swaddling-bands;
On the fair tulip thou dost dote;
Thou clothest it in a gay and parti-coloured coat.”
All these beauties are indeed derived from the imponderable and invisible agent, light; and the variety and changefulness of the effects we may constantly observe show that light possesses the power of impressing our visual organs in a thousand different ways, modified by the surrounding circumstances, as witness that ever-shifting transformation scene—the sky. In the skies of such a climate as that of England there are ceaseless changes and ever-beautiful effects, producing everywhere more perfect and diversified pictures than the richest galleries can show. In the night how changed is the spectacle, when the sun’s more powerful rays are succeeded by the soft light of the moon, sailing through the azure star-bestudded vault! What limitless scope for the artist is afforded by these innumerable modifications of a single subtile agent, in light and shade, brightness and obscurity, in the contrasts and harmonies of colours, and in the countless hues resulting from their mixtures and blendings!
It will be necessary, before attempting to explain the discoveries and inventions which prove how successfully science, aided by the powerful mathematical analysis of modern times, has acquired a knowledge of the ways of light, to discuss such of the ordinary phenomena as have a direct bearing upon the subjects to be considered.
Fig. 189.—Rays.