Fig. 27.—Sir Joseph Whitworth.
TOOLS.
Of the immense variety of tools and mechanical contrivances employed in modern times, by far the greatest number are designed to impart to certain materials some definite shape. The brickmaker’s mould, the joiner’s plane, the stonemason’s chisel, the potter’s wheel, are examples of simple tools. More elaborate are the coining press, the machine for planing iron, the drilling machine, the turning lathe, the rolling mill, the Jacquard loom. But all such tools and machines have one principle in common—a principle which casual observers may easily overlook, but one which is of the highest importance, as its application constitutes the very essence of the modern process of manufacture as distinguished from the slow and laborious mode of making things by hand. The principle will be easily understood by a single example. Let it be required to draw straight lines across a sheet of paper. Few persons can take a pen or pencil, and do this with even an approach to accuracy, and at best they can do it but slowly and imperfectly. But with the aid of a ruler any number of straight lines may be drawn rapidly and surely. The former case is an instance of making by hand, the latter represents manufacturing, the ruler being the tool or machine. Let it be observed that the ruler has in itself the kind of form required—that is to say, straightness—and that in using it we copy or transfer this straightness to the mark made on the paper. This is a simple example of the copying principle, which is so widely applied in machines for manufacturing; for, in all of these, materials are shaped or moulded by various contrivances, so as to reproduce certain definite forms, which are in some way contained within the machine itself. This will be distinctly seen in the tools which are about to be described.
Fig. 28.—Whitworth’s Screw Dies and Tap.
Probably no one mechanical contrivance is so much and so variously applied as the Screw. The common screw-nail, which is so often used by carpenters for fastening pieces of metal on wood, or one piece of wood to another, is a specimen of the screw with which everybody is familiar. The projection which winds spirally round the nail is termed the thread of the screw, and the distance that the thread advances parallel to the axis in one turn is called the pitch. It is obvious that for each turn the screw makes it is advanced into the wood a depth equal to the pitch, and that there is formed in the wood a hollow screw with corresponding grooves and projections. Screws are formed on the ends of the bolts, by which various parts are fastened together, and the hollow screws which turn on the ends of the bolts are termed nuts. The screws on bolts and nuts, and other parts of machines, were formerly made with so many different pitches that, when a machine constructed by one maker had to be repaired by another, great inconvenience was found, on account of the want of uniformity in the shape and pitch of the threads. A uniform system was many years ago proposed by Sir Joseph Whitworth, and adopted by the majority of mechanical engineers, who agreed to use only a certain defined series of pitches. The same engineer also contrived a hand tool for cutting screws with greater accuracy than had formerly been attained in that process. A mechanic often finds it necessary to form a screw-thread on a bolt, and also to produce in metal a hollow screw. The reader may have observed gas-fitters and other workmen performing the first operation by an instrument having the same general appearance as Fig. [28]. This contains hard steel dies, which are made to press on the bolt or pipe, so that when the guide-stock is turned by the handles, the required grooves are cut out. The arrangement of these dies in Sir Joseph Whitworth’s instrument is shown in Fig. [28], which represents the central part of the guide-stock; A, B, C are the steel dies retained in their places, when the instrument is in use, by a plate which can be removed when it is necessary to replace one set of dies by another, according to the pitch of thread required. The figure also shows the set of dies, A, B, C, removed from the guide-stock. D is the work, pressed up against the fixed die, A, by B and C, the pressure being applied to these last as required by turning the nut, thus drawing up the key, E, so that the inclined planes, f, g, press against similar surfaces forming the ends of the dies. For producing the hollow screws, taps are provided, which are merely well-formed screws, made of hard steel and having the threads cut into detached pieces by several longitudinal grooves, as represented in the lower part of Fig. [28].
Fig. 29.—Screw-cutting Lathe.
The method of forming screws by dies and taps is, however, applicable only to those of small dimensions, and even for these it is not employed where great accuracy is required. Perfect screws can only be cut with a lathe, such as that represented in Fig. [29]. In this we must first call the reader’s attention to the portion of the apparatus marked A, which receives the name of the slide-rest. The invention of this contrivance by Maudsley had the effect of almost revolutionizing mechanical art, for by its aid it became possible to produce true surfaces in the lathe. Before the slide-rest was introduced, the instrument which cut the wood or metal was held in the workman’s hand, and whatever might be his skill and strength, the steadiness and precision thus obtainable were far inferior to those which could be reached by the grip of an iron hand, guided by unswerving bars. The slide-rest was contrived by Maudsley in the first instance for cutting screws, but its principle has been applied for other purposes. This principle consists in attaching the cutting tool to a slide which is incapable of any motion, except in the one direction required. Thus the slide, A, represented in Fig. [29], moves along the bed of the lathe, B, carrying the cutter with perfect steadiness in a straight line parallel to the axis of the lathe. There are also two other slides for adjusting the position of the cutter; the handle, a, turns a screw, which imparts a transverse motion to the piece, b, and the tool receives another longitudinal movement from the handle, c. The pieces are so arranged that these movements take place in straight lines in precisely the required direction, and without permitting the tool to be unsteady, or capable of any rocking motion. In Whitworth’s lathe, between the two sides of the bed, and therefore not visible in the figure, is a shaft placed perfectly parallel to the axis of the lathe. One end of this shaft is seen carrying the wheel, C, which is connected with a train of wheels, D, and is thus made to revolve at a speed which can be made to bear any required proportion to that of the mandril, E, of the lathe, by properly arranging the numbers of the teeth in the wheels; and the machine is provided with several sets of wheels, which can be substituted for each other. The greater part of the length of this shaft is formed with great care into an exceedingly accurate screw, which works in a nut forming part of the slide-rest. The effect, therefore, of the rotation of the screw is to cause the slide-rest to travel along the bed of the lathe, advancing with each revolution of the screw through a space equal to its pitch distance. There is an arrangement for releasing the nut from the guiding-screw, by moving a lever, and then by turning the winch the slide-rest is moved along by a wheel engaging the teeth of a rack at the back of the lathe. Now, if the train of wheels, C D, be so arranged that the screw makes one revolution for each turn of the mandril, it follows that the cutting tool will move longitudinally a distance equal to the pitch of the guiding-screw while the bar placed in the lathe makes one turn. Thus the point of the cutter will form on the bar a screw having the same pitch as the guiding-screw of the lathe.