"Oh! she complimented me like everything because of those grand pictures I sent her, and said that the account I gave of the thrilling happenings up there made her satisfied with the little investment she had incurred. I was welcome to the camera, and she also meant to send me another present soon, because she found herself quite interested in scout work. But she couldn't think of putting the deal through for that—-er—-place. She says after what happened there, it's likely to be a shrine for curious-minded folks for a long time to come, and as she wants absolute quiet, that would not suit her. So you see, just as I expected, that deal's off."

All this strange manner of talk greatly aroused the listeners curiosity. They tried in turn to coax Hugh, Billy, Alec, Arthur or Monkey Stallings to "open up and tell us what it all means, won't you like a good fellow?" but those worthies only looked wise, nodded their heads, and told them to "hold their horses," and in good time they would be treated to a little surprise that would pay them for all their waiting.

The hall soon filled up, with seating space at a premium. It was in a good cause and backed by the Women's League for Town Improvement. The orphans needed a good many things to make them comfortable for the winter, and this was to be one of several methods employed to obtain these articles, which the town did not see fit to supply.

Walter Osborne, Bud Morgan and several of the other scouts had been silently watching Hugh and his immediate chums. Their attention was especially directed toward Billy Worth, who seemed to be so nervous that he could hardly keep his seat.

"It's my opinion," remarked Walter, sagely, "that there's going to be something of a surprise sprung on the rest of us to-night. I've been keeping tabs on Billy, and to see him grin, and look so happy and proud gives the thing away. He just can't keep his face straight, he feels so important."

"But what can it be?" asked Jack Durham. "The whole entertainment to-night is made up of Professor Wakefield with his violin, and three selected moving pictures."

"Yes," added Bud Morgan, referring to a paper he held in his hand, "and one of these is a comic, a second a trip through the island of Ceylon, showing things just as if a fellow was there on the spot, while the third and last seems to be a series of pictures showing just how a company of players go about when engaged in making one of their wonderful films."

"I don't see how Billy can expect to be in touch with any of those things," commented Walter, more puzzled than ever. "We'll just have to wait and see, as Hugh told us. It may be that they've coaxed Hugh to consent to get up there on the platform to-night, and tell all about what happened to them the time they went off to spend the week-end up the country."

"Walter, I wouldn't be surprised if you'd guessed it, after all," said one of the other fellows; and then as a loud clapping of hands announced that the well-known local violinist was about to make his bow to the big audience, the boys stopped exchanging opinions, and settled down to the policy of "watchful waiting" so often spoken of by the occupant of the Executive Chair at Washington.

The educational value of the "Trip through Ceylon" could not be gainsaid, and the humorous film caused much laughter, and boisterous merriment. Finally the announcement was made that they were now about to be treated to a most wonderful series of pictures, showing the details of how one of the best-known companies of moving-picture artists went about their work when engaged in producing a drama of olden days, with an appropriate setting and background.