Thalaba the Destroyer

by Robert Southey

Is it the dew of night
That down her glowing cheek
Shines in the moon-beam? oh! she weeps ... she weeps
And the Good Angel that abandoned her
At her hell-baptism, by her tears drawn down
Resumes his charge, then Maimuna
Recalled to mind the double oracle;
Quick as the lightening flash
Its import glanced upon her, and the hope
Of pardon and salvation rose,
As now she understood
The lying prophecy of truth.
She pauses not, she ponders not,
The driven air before her fanned the face
Of Thalaba, and he awoke and saw
The Sorceress of the silver locks.

One more permitted spell!
She takes the magic chain.
With the wide eye of wonder, Thalaba
Watches her snowy fingers round and round
Wind the loosening chain.
Again he hears the low sweet voice,
The low sweet voice so musical,
That sure it was not strange,
If in those unintelligible tones
Was more than human potency,
That with such deep and undefined delight,
Filled the surrendered soul.
The work is done, the song is ceased;
He wakes as from a dream of Paradise
And feels his fetters gone, and with the burst
Of wondering adoration praises God.

Her charm has loosed the chain it bound,
But massy walls and iron gates
Confine Hodeirah’s son.
Heard ye not, Genii of the Air, her spell,
That o’er her face there flits
The sudden flush of fear?
Again her louder lips repeat the charm,
Her eye is anxious, her cheek pale,
Her pulse plays fast and feeble.
Nay Maimuna! thy power has ceased,
And the wind scatters now
The voice that ruled it late.

“Pray for me, Thalaba,” she cried,
“For death and judgement are at hand!”
All night in agony,
She feared the instant blow of Hell’s revenge.
At dawn the sound of gathering multitudes
Led to the prison bars her dreading eye.
What spectacle invites
The growing multitude,
That torrent-like they roll along?
Boys and grey-headed age; the Mother comes
Leading her child, who at arm’s length
Outstripping her, looks back
And bids her hasten more.

Why does the City pour her thousands forth?
What glorious pageantry
Makes her streets desolate, and silences
Her empty dwellings? comes the bridal pomp,
And have the purveyors of imperial lust
Torn from their parents arms again
The virgin beauties of the land?
Will elephants in gilded cages bear
The imprisoned victims? or may yet their eyes
With a last look of liberty, behold
Banners and guards and silk-arched palanquins.
The long procession, and the gorgeous pomp
Of their own sacrifice?
On the house tops and in the windows ranged
Face above face, they wait
The coming spectacle;
The trees are clustered, and below the dust
Thro’ the thronged populace
Can find no way to rise.

He comes! the Sultan! hark the swelling horn,
The trumpet’s spreading blair,
The timbrel tinkling as its silver bells
Twinkle aloft, and the shrill cymbal’s sound,
Whose broad brass flashes in the morning sun
Accordant light and music! closing all
The heavy Gong is heard,
That falls like thunder on the dizzy ear.

On either hand the thick-wedged crowd
Fall from the royal path.
Recumbent in the palanquin he casts
On the wide tumult of the waving throng
A proud and idle eye.
Now in his tent alighted, he receives
Homage and worship. The slave multitude
With shouts of blasphemy adore
Him, father of his people! him their Lord!
Great King, all-wise, all-mighty, and all-good!
Whose smile was happiness, whose frown was death,
Their present Deity!

With silken cords his slaves
Wave the silk[159] fan, that waving o’er his head
Freshens the languid air.
Others the while shower o’er his robes
The rose’s treasured sweets,
Rich odours burn before him, ambergrese,
Sandal and aloe wood,
And thus inhaling the voluptuous air
He sits to watch the agony,
To hear the groan of death.

At once all sounds are hushed,
All eyes take one direction, for he comes,
The object he of this day’s festival,
Of all this expectation and this joy,
The Christian captive. Hark! so silently
They stand, the clanking of his chain is heard.
And he has reached the place of suffering now.
And as the death’s-men round his ancles bind
The cords and to the gibbet swing him up,
The Priests begin their song, the song of praise,
The hymn of glory to their Devil-God.

Then Maimuna grew pale, as thro the bars
She saw the Martyr pendant by the feet,
His gold locks hanging downwards, and she cried,
“This is my Sister’s deed!
“O Thalaba, for us,
“Not for his faith the red-haired Christian dies.
“She wants the foam[160] that in his agony,
“Last from his lips shall fall,
“The deadliest poison that the Devils know.
“Son of Hodeirah, thou and I
“Shall prove its deadly force!”