A picture hangs in my library—and it is one of my most treasured relics of old Cornwall—the full-length and “counterfeit presentment,” in oil, of a quaint and singular dwarf. It exhibits a squat figure, uncouth and original, just such a one as Frederick Taylor would delight to introduce in one of his out-of-door pieces of Elizabethan days, as an appendage to the rural lady’s state when she rode afield with her hawk on her wrist. His height is under four feet, hump-backed and misshapen; his head, with tangled elfy hair falling wildly on his shoulders, droops upon his chest. Negro features and a dark skin surround a loose and flabby mouth, which teeth have long ceased to harmonise and fill out. He is clad in a loose antique russet gaberdine, the fashion of a past century: one hand leans on a gnarled staff, and the other holds a wide-brimmed felt hat, with humble gesture and look, as though his master stood by.

The traditionary name of this well-remembered character on the Tamar-side is Black John. He lived from the commencement to the middle of the eighteenth century in the household of an honoured name, Arscott of Tetcott,[56] an ancestor of one of the distinguished families of Cornwall; and as his master was wellnigh the last of the jovial open-housed squires of the West of England, so was Black John the last of the jesters or makers of mirth. When the feast was over, and the “wrath of hunger”[57] had been assuaged, while the hare’s or fox’s head, the festive drinking-cup of silver, went round with the nectar of the Georgian era, “strong punch for strong heads,” the jester was called in to contribute by merry antic and jocose saying to the loud enjoyment of the guests. Such were the functions sustained by my pictured and storied dwarf, and many an anecdote still survives around us in hearth and hall of the feats and stories of the “Tetcott merry-man.” Two of his usual after-dinner achievements were better suited to the rude jollity and coarse mirth of our forefathers than to the refinements of our own time; although they are said to exist here and there, among the “underground men” and miners of Western Cornwall, even to this day. These were “sparrow-mumbling” and swallowing living mice, which were tethered to a string to ensure their safe return to light and life. In the first of these accomplishments, a sparrow, alive, was fastened to the teeth of the artist with a cord, and he was expected to mumble off the feathers from the fluttering and astonished bird, with his lips alone, until he was plucked quite bare without the assistance or touch of finger or hand. A couple of projecting tusks or fangs, such as are called by the Italians Bourbon teeth, were of singular value as sparrow-holders to Black John; but these were one day drawn by violence from his mouth by an exasperated blacksmith, whose kitten had been slain, and who had been persuaded by a wretch, who was himself the actual assassin, that it was the jester who had guillotined the poor creature with his formidable jaws. The passage of the mouse was accomplished very often, amid roars of rude applause, down and up the gullet of the dwarf.

A tale is told of him, that one day, after he had for some time amused the guests, and had drank his full share of the ale, he fell, or seemed to fall, asleep. On a sudden he started up with a loud and terrified cry. Questioned as to the cause of his alarm, he answered, “O sir,” to his master, “I was in a sog [sleep], and I had such a dreadful dream! I thought I was dead, and I went where the wicked people go!”

“Ha, John,” said Arscott of Tetcott, in his grim voice, wide awake for a jest or a tale, “then tell us all about what you heard and saw.”

“Well, master, nothing particular.”

“Indeed, John!”

“No, sir; things was going on just as they do upon airth—here in Tetcott Hall—the gentlefolks nearest the fire.”

His master’s house was surrounded with all kinds of tame animals and birds so bold and confiding, from long safety and intercourse, that the rooks would come down at a call and pick up food like pigeons at the very feet of a man. Among the familiar creatures of the Hall were two enormous toads: these were especial favourites with Mr. Arscott, who was a very Chinese in his fondness for the bat and the toad, and who used to feed them very often with his own hands. One morning the family were aroused by sounds near the porch, of battle and fight. A guest from a distant town, who had arrived the night before on a visit, was discovered prone upon the grass, and over him stood as conqueror Black John, belabouring him with his staff. His story was, when rescued and set upon his feet, that on going out to breathe the morning air he had encountered and slain a fierce and venomous reptile—a big bloated creature that came towards him with open mouth. It turned out to be one of the enormous toads, an old and especial pet of master and man, who had heard a sound of feet, and came as usual to be fed, and was ruthlessly put to death; not, however, unavenged, for a wild man of the woods (so the townsman averred) had rushed upon him and knocked him down. When Mr. Arscott had heard the story, he turned on his heel, and never greeted his guest[58] with one farewell word. Black John sobbed and muttered vengeance in his den for many a day for the death of “Old Dawty”—the household name of the toad.