The Scenic Climax of the Swiftcurrent

Again passing north, the automobile-stage reaches road's end at McDermott Lake, the fan-handle of the Swiftcurrent drainage-basin. Overlooking a magnificent part of each of its contributing valleys, the lake, itself supremely beautiful, may well deserve its reputation as Glacier's scenic centre. I have much sympathy with the thousands who claim supremacy for McDermott Lake. Lake McDonald has its wonderfully wooded shores, its majestic length and august vista; Helen Lake its unequalled wildness; Bowman Lake its incomparable view of glacier-shrouded divide. But McDermott has something of everything; it is a composite, a mosaic masterpiece with every stone a gem. There is no background from which one looks forward to "the view." Its horizon contains three hundred and sixty degrees of view. From the towering south gable of that rock-temple to God the Creator, which the map calls Mount Gould, around the circle, it offers an unbroken panorama in superlative.

In no sense by way of comparison, which is absurd between scenes so different, but merely to help realization by contrast with what is well known, let us recall the Yosemite Valley. Yosemite is a valley, Swiftcurrent an enclosure. Yosemite is gray and shining, Swiftcurrent richer far in color. Yosemite's walls are rounded, peaked, and polished, Swiftcurrent's toothed, torn, and crumbling; the setting sun shines through holes worn by frost and water in the living rock. Yosemite guards her western entrance with a shaft of gray granite rising thirty-six hundred feet from the valley floor, and her eastern end by granite domes of five thousand and six thousand feet; Swiftcurrent's rocks gather round her central lake—Altyn, thirty-two hundred feet above the lake's level; Henkel, thirty-eight hundred feet; Wilbur, forty-five hundred feet; Grinnell, four thousand; Gould, forty-seven hundred; Allen, forty-five hundred—all of colored strata, green at base, then red, then gray. Yosemite has its winding river and waterfalls, Swiftcurrent its lakes and glaciers.

Swiftcurrent has the repose but not the softness of Yosemite. Yosemite is unbelievably beautiful. Swiftcurrent inspires wondering awe.

McDermott Lake, focus point of all this natural glory, is scarcely a mile long, and narrow. It may be vivid blue and steel-blue and milky-blue, and half a dozen shades of green and pink all within twice as many minutes, according to the whim of the breeze, the changing atmosphere, and the clouding of the sun. Often it suggests nothing so much as a pool of dull-green paint. Or it may present a reversed image of mountains, glaciers, and sky in their own coloring. Or at sunset it may turn lemon or purple or crimson or orange, or a blending of all. Or, with rushing storm-clouds, it may quite suddenly lose every hint of any color, and become a study in black, white, and intermediate grays.

From a photograph by Bailey Willis