Mrs. G. D. Johnson
Exquisite artistry in verse, with infallible poetic content, is exhibited in Mrs. Georgia Douglas Johnson’s The Heart of a Woman. It is also the saddest book produced by her race. Perfect lyrical notes, the most poignant pathos—that is an exact description of it. Triple bronze cannot armor any breast successfully against its appeal. For the heart that speaks here is a heart that has known its garden of sorrows, its Gethsemane. This is the harvest of her sorrows—dreams and songs, of which she comments:
The dreams of the dreamer
Are life-drops that pass
The break in the heart
To the Soul’s hour-glass.
The songs of the singer
Are tones that repeat
The cry of the heart
Till it ceases to beat.
Neither in memory nor in dreams is there a refuge for the life-wounded heart of this woman:
What need have I for memory,
When not a single flower
Has bloomed within life’s desert
For me, one little hour?
What need have I for memory,
Whose burning eyes have met
The corse of unborn happiness
Winding the trail regret?
And thus of her dreams, on the last page of her book:
I am folding up my little dreams
Within my heart to-night,
And praying I may soon forget
The torture of their sight.
What are the experiences and what the conditions of life—what must they have been—which have had the tragic power to make a soul “try to forget it has dreamed of stars?” The world little kens what hearts in it are breaking, and why. To the grave the secret goes with the many, one in a million betrays it in a cry. But not here is it betrayed: