The great, lumbering train came rolling in; the station agent looked very sharply through his spectacles at Miss Wiltz when he saw her with Green, but being a Southerner, he gallantly assumed that it was all right.
One of the train crew placed two wooden chairs for them in the partly empty baggage car; and there they sat, side by side, while the big, heavy milk cans were loaded aboard, and a few parcels shoved into their car. Then the locomotive tooted leisurely; there came a jolt, a resonant clash; and the train was under way.[229]
XXIV
For a while the baggage master fussed about the car, sorting out packages for Ormond; then, courteously inquiring whether he could do anything for them, and learning that he could not, he went forward into his own den, leaving Marie Wiltz and George Z. Green alone in a baggage car dimly illumined by a small and smoky lamp.
Being well-bred young people, they broke the tension of the situation gracefully and naturally, pretending to find it amusing to travel in a milk train to a fashionable southern resort.
And now that the train was actually under way and speeding southward through the night, her relief from anxiety was very plain to him. He could see her relax; see the frightened and hunted look in her eyes die out, the natural and delicious colour return to her cheeks.
As they conversed with amiable circumspection and pleasant formality, he looked at her whenever[230] he dared without seeming to be impertinent; and he discovered that the face she had worn since he had first seen her was not her natural expression; that her features in repose or in fearless animation were winning and almost gay.
She had a delightful mouth, sweet and humourous; a delicate nose and chin, and two very blue and beautiful eyes that looked at him at moments so confidently, so engagingly, that the knowledge of what her expression would be if she knew who he was smote him at moments, chilling his very marrow.