He dropped in at the Country Club one day, causing a little less flutter than a hawk in a hen-yard. Within a week he had drifted casually into the drawing-rooms of almost all his father's old friends for a cup of tea or an informal chat—or for nothing in particular except to saunter into his proper place among them with all of the Desboro grace and amiable insouciance which they had learned to tolerate but never entirely to approve or understand.

It was not quite so casually that he stopped at the Hammerton's. And he was given tea and buns by Mrs. Hammerton, perfectly unsuspicious of his motives. Her husband came rambling in from the hothouses, presently, where he spent most of his serious life in pinching back roses and chrysanthemums; and he extended to Desboro a large, flat and placid hand.

"Aunt Hannah and Daisy are out—somewhere—" he explained vaguely. "You must have passed them on the way."

"Yes, I saw Daisy in the distance, exercising an old lady," said Desboro carelessly. He did not add that the sight of Aunt Hannah marching across the Westchester horizon had inspired him with an idea.

From her lair in town, she had come hither, for no love of her nephew and his family, nor yet for Westchester, but solely for economy's bitter sake. She made such pilgrimages at intervals every year, upsetting the Hammerton household with her sarcasms, her harsh, high-keyed laughter, her hardened ways of defining the word "spade"—for Aunt Hannah was a terror that Westchester dreaded but never dreamed of ignoring, she being a wayward daughter of the sacred soil, strangely and weirdly warped from long transplanting among the gay and godless of Gotham town. And though her means, after her husband's scared soul had taken flight, were painfully attenuated, the high priests and captains among the gay and godless feared her, and she bullied them; and she and they continued to foregather from sheer tradition, but with mutual and sincere dislike. For Aunt Hannah's name would always figure among the names of certain metropolitan dowagers, dragons, gorgons, and holy harridans; always be connected with certain traditional social events as long as the old lady lived. And she meant to survive indefinitely, if she had anything to say about it.

She came in presently with Daisy Hammerton. The latter gave her hand frankly to her childhood's comrade; the former said:

"Hah! James Desboro!" very disagreeably, and started to nourish herself at once with tea and muffins.

"James Desboro," she repeated scornfully, darting a wicked glance at him where he stood smiling at her, "James Desboro, turning plow-boy in Westchester! What's the real motive? That's what interests me. I'm a bad old woman—I know it! All over paint and powder, and with too small a foot and too trim a figger to be anything except wicked. Lindley knows it; it makes his fingers tremble when he pinches crysanthemums; Susan knows it; so does Daisy. And I admit it. And that's why I'm suspicious of you, James; I'm so wicked myself. Come, now; why play the honest yokel? Eh? You good-looking good-for-nothing!"

"My motive," he said amiably, "is to make a living and learn what it feels like."

"Been stock-gambling again?"