"That's my 'thorough talk.' I haven't any one else to tell it to. And I've told you the worst." She smiled at him adorably: "And now I am ready to go out with you," she said,—"go anywhere in the world with you, Kelly. And I am going to be perfectly happy—if you are."
CHAPTER III
One day toward the middle of June Valerie did not arrive on time at the studio. She had never before been late.
About two o'clock Sam Ogilvy sauntered in, a skull pipe in his mouth, his hair rumpled:
"It's that damn mermaid of mine," he said, "can't you come up and look at her and tell me what's the trouble, Kelly?"
"Not now. Who's posing?"
"Rita. She's in a volatile humour, too—fidgets; denies fidgeting; reproaches me for making her keep quiet; says I draw like a bum chimney—no wonder my work's rotten! Besides, she's in a tub of water, wearing that suit of fish-scales I had made for Violet Cliland, and she says it's too tight and she's tired of the job, anyway. Fancy my mental condition."
"Oh, she won't throw you down. Rita is a good sport," said Neville.
"I hope so. It's an important picture. Really, Kelly, it's great stuff—a still, turquoise-tinted pool among wet rocks; ebb tide; a corking little mermaid caught in a pool left by the receding waves—all tones and subtle values," he declared, waving his arm.
"Don't paint things in the air with your thumb," said Neville, coldly.
"No wonder Rita is nervous."