The end of June and of the house party at Roya-Neh was now near at hand, and both were to close with a moonlight fête and dance in the forest, invitations having been sent to distant neighbours who had been entertaining similar gatherings at Iron Hill and Cloudy Mountain—the Grays, Beekmans, Ellises, and Grandcourts.

Silks and satins, shoe buckles and powdered hair usually mark the high tide of imaginative originality among this sort of people. So it was to be the inevitable Louis XVI fête—or as near to it as attenuated, artistic intelligence could manage, and they altered Duane's very clever and correct sketches to suit themselves, careless of anachronism, and sent the dainty water-colour drawings to town in order that those who sweat and sew in the perfumed ateliers of Fifth Avenue might use them as models.

"The fun—if there's any in dressing up—ought to lie in making your own costumes," observed Duane. But nobody displayed any inclination to do so. And now, on hurry orders, the sewers in the hot Fifth Avenue ateliers sewed faster. Silken and satin costumes, paste jewelry and property small-swords were arriving by express; maids flew about the house at Roya-Neh, trying on, fussing with lace and ribbon, bodice and flowered pannier, altering, retrimming, adjusting. Their mistresses met in one another's bedrooms for mysterious confabs over head-dress and coiffure, lace scarf, and petticoat.

As for the men, they surreptitiously tried on their embroidered coats and breeches, admired themselves in secrecy, and let it go at that, returning with embarrassed relief to cards, tennis, and the various forms of amiable idleness to which they were accustomed. Only Englishmen can masquerade seriously.

Later, however, the men were compelled to pay some semblance of attention to the general preparations, assemble their foot-gear, head-gear, stars, orders, sashes, swords, and try them on for Duane Mallett—to that young man's unconcealed dissatisfaction.

"You certainly resemble a scratch opera chorus," he observed after passing in review the sheepish line-up in his room. "Delancy, you're the limit as a Black Mousquetier—and, by the way, there weren't any in the reign of Louis XVI, so perhaps that evens up matters. Dysart is the only man who looks the real thing—or would if he'd remove that monocle. As for Bunny and the Pink 'un, they ought to be in vaudeville singing la-la-la."

"That's really a compliment to our legs," observed Reggie Wye to Bunbury Gray, flourishing his property sword and gracefully performing a pas seul à la Gênée.

Dysart, who had been sullen all day, regarded them morosely.

Scott Seagrave, in his conventional abbé's costume of black and white, excessively bored, stood by the window trying to catch a glimpse of the lake to see whether any decent fish were breaking, while Scott walked around him critically, not much edified by his costume or the way he wore it.

"You're a sad and self-conscious-looking bunch," he concluded. "Scott, I suppose you'll insist on wearing your mustache and eyeglasses."