She adored it all. The tall secretary stared at her with owlish significance. Through that neutral veil where lamplight and shadow meet upon the wall, the engraved portrait of a famous and godly missionary peered down at her out of altered and malicious eyes; the claw-footed, haircloth sofa was a stealthy creature offering to entrap her with wide, inviting arms; three folded umbrellas leaned over the edge of their shadowy stand, looking down at her like scrawny and baleful 31 birds, ready to peck at her with crooked handles. And as for Adoniram, her lank black cat, the child’s restless creative fancy was ever transforming him from goblin into warlock, from hydra to hippogriff, until the earnestness of pretence sent agreeable shivers down her back, and she edged a trifle nearer to her mother.
But when pretence became a bit too real and too grotesque she had always a perfect antidote. It was merely necessary to make a quick picture of an angel or two, a fairy prince, a swan, and she felt herself in their company, and delightfully protected.
There was a night when the flowing roar of the gale outside filled the lamplit silence; when the snow was drifting level with the window sills; when Adoniram, unable to prowl abroad, lay curled up tight and sound asleep beside her where she sat on the carpet in the stove radiance. Wearied of drawing castles and swans, she had been listening to her father reading passages aloud from the book on his knees to her mother who was sewing by the lamp.
Presently he continued his reading:
“I asked Alaro the angel: ‘Which place is this, and which people are these?’
“And he answered: ‘This place is the star-track; and these are they who in the world offered no prayers and chanted no liturgies. Through other works they have attained felicity.’”
Her mother nodded, continuing to sew. Ruhannah considered what her father had read, then:
“Father?”
“Yes––” He looked down at her absently.