“It's no use; I can't turn on him. I can't! He is my friend, you see.”
“Let him remain so. I shall do what I can. Let him remain a monument to his fellow-beasts. What do I care? Do you think I desire to turn you into his image? Do you think I hope for your degradation and mine? Are you afraid I should not recognise love unaccompanied by the attendant beast? I—I don't know; you had better teach me, if I prove blind. If you can love me, do so in charity before I go blind forever.”
She laid one hand on his arm, looked at him, then turned and passed slowly through the doorway.
“If you are going to sleep before we start you had better be about it!” she said, looking back at him from the stairs.
But he had no further need of sleep; and for a long while he stood at the windows watching the lamps of cabs and carriages sparkling through the leafless thickets of the park like winter fire-flies.
At one o'clock, hearing Agatha Caithness speak to Leila's maid, he left the window, and sitting down at the desk, telephoned to Desmond's; and he was informed that Mortimer, hard hit, had signified his intention of recouping at Burbank's. Then he managed to get Burbank's on the wire, and finally Mortimer himself, but was only cursed for his pains and cut off in the middle of his pleading.
So he wandered up-stairs into Mortimer's apartments, where he tubbed and dressed, and finally descended, to find Agatha Caithness alone in the library, spinning a roulette wheel and whistling an air from “La Bacchante.”
“That's pretty,” he said; “sing it.”
“No; it's better off without the words; and so are you,” added Agatha candidly, relinquishing the wheel and strolling with languid grace about the room, hands on her hips, timing her vagrant steps to the indolent, wicked air. And,
“'Je rougirais de men ivresse Si tu conservais ta raison!'”