In the first relaxation of Lent she had instinctively welcomed an opportunity for spiritual consolation and a chance to take her spiritual bearings; not because of bodily fatigue—for in the splendour of her youthful vigour she did not know what that meant.
Saint Berold was a pretty good saint, and his church was patronised by Major Belwether's household. The major liked two things high: his game and his church. Sylvia cared for neither, but had become habituated to both the odours of sanctity and of pheasants; so to Saint Berold's she went in cure of her soul. Besides, she was fond of Father Curtis, who, if he were every inch a priest, was also every foot of his six feet a man—simple, good, and brave.
However, she found little opportunity, save at her brief confession, for a word with Father Curtis. His days were full days to the overbrimming, and a fashionable pack was ever at his heels, fawning and shoving and importuning. It was fashionable to adore Father Curtis, and for that reason she shrank from venturing any demand upon his time, and nobody else at Saint Berold's appealed to her. Besides, the music was hard, commonplace, even blatant at times, and, having a delicate ear, she shrank from this also. It is probable then that what comfort she found under Saint Berold's big, brand-new Episcopal cross she extracted from observing the rites, usages, and laws of a creed that had been accepted for her by that Christian gentleman, Major Belwether. Also, she may have found some solace from the still intervals devoted to an inventory of her sins and the wistful searching of a heart too young for sadness. If she did it was her own affair, not Grace Ferrall's, who went with her to Saint Berold's determined always to confess to too much gambling, but letting it go from day to day so that the penance could not interfere with the next séance.
Agatha Caithness was there a great deal, looking like a saint in her subdued plumage; and very devout, dodging nothing—neither confession nor Quarrier's occasionally lifted eyes, though their gaze, meeting, seemed lost in dreamy devotion or drowned in the contemplation of the spiritual and remote.
Plank came docilely from his Dutch Reformed church to sit beside Leila. As for Mortimer, once a vestryman, he never came at all—made no pretence or profession of what he elegantly expressed as “caring a damn” for anything “in the church line,” though, he added, there were “some good lookers to be found in a few synagogues.” His misconception of the attractions of the church amused the new set of men among whom he had recently drifted, to the unfeigned disgust of gentlemen like Major Belwether; “club” men, in the commoner and more sinister interpretation of the word; unfit men, who had managed to slip into good clubs; men, once fit, who had deteriorated to the verge of ostracism; heavy, over-fed, idle, insolent men in questionable financial situation, hard card players, hard drinkers, hard riders, negative in their virtues, merciless in their vices, and whose cynical misconduct formed the sources of the stock of stories told where such men foregather.
Mortimer had already furnished his world with sufficient material for jests of that flavour; now they were telling a new one: how, as Leila was standing before Tiffany's looking for her carriage, a masher accosted her, and, at her haughty stare, said sneeringly: “Oh, you can't play that game on me; I've seen you with Leroy Mortimer!”
The story was repeated frequently enough. Leila heard it with a shrug; but such things mattered to her now, and she cried over it at night, burning that Plank should hear her name used jestingly to emphasise the depth of her husband's degradation.
Mortimer stayed out at night very frequently now. Also, he appeared to make his money go farther, or was luckier at his “card killings,” because he seldom attempted to bully Leila, being apparently content with his allowance.
Once or twice Plank saw him with an unusually attractive girl belonging to a world very far removed from Leila's. Somebody said she was an actress when she did anything at all—one Lydia Vyse, somewhat celebrated for an audacity not too delicate. But Plank was no more interested than any man who can't afford to endanger his prospects by a closer acquaintance with that sort of pretty woman.
Meanwhile Mortimer kept away from home, wife, and church, and Plank frequented them, so the two men did not meet very often; and the less they met the less they found to say to one another.