It was not manner, for there was none on Philippa's part; not reticence, for that argues a conscious effort or a still more conscious lack of effort. Perhaps, through the transparent simplicity of the girl, the older woman's intuition caught a glimpse of finer traditions than she herself had been born to—sensed the far, faint ring of finer and more ancient metal.
And after a moment she felt that courtesy, deference, and propinquity alone held Philippa's grave grey eyes; that the soul which looked fearlessly and calmly out of them at her could not be lightly flattered or lightly won; and that, released from their conventional duty, those clear eyes of grey would seek their earthly idol as logically as the magnetic needle swings to its magnet.
Very subtly, as she stood there, the sympathy of the older woman widened to include respect. And, unconsciously, she turned and looked at Warner with the amused and slightly malicious smile of a woman who detects in a man the characteristic obtuseness from which her own and feminine instinct has rescued her just in time to prevent mistakes.
Then, turning to Philippa, she said:
"Our family of three is a very small one, dear, but I think it is going to be a happy one.... What was that song that you and Peggy were trying when we came in?"
"It is called 'Noblesse Oblige,' Madame. It is a very ancient song."
"It is as old as the world," said the Countess. "Peggy, will you try the accompaniment? And will you sing it, Philippa?"
"If you wish it, Madame."
The Countess de Moidrey stepped aside and seated herself; the grey eyes left her to seek and find their magnet; and, having found it, smiled.
As for the magnet himself, he stood there deep in perplexity and trouble, beginning slowly to realize how profoundly his mind and affections had already become involved in the fate of a very young girl, and in the problems of life which must now begin to threaten and confront her.