So certain was he of what he was about that to Philippa he seemed to work very leisurely, wiping brush after brush with unhurried deliberation, laying on stroke after stroke with that quiet decision which accumulates and coördinates component parts into a result so swiftly that an ensemble is born as though by magic.

A few great pictures are painted that way; myriads of bad ones. If he thought of this it did not trouble him. Already, on his canvas, the soul of a young girl was looking at him through those grey eyes; on the fresh lips, scarce parted, hovered the shadow of a smile, virginal and vague.

He felt the splendid tension; experienced the consciousness of achievement, steeled every nerve, wiped his brushes with deliberation, drew them across the edges of the colors needed, scarcely glancing at his palette, laid on the brush stroke with the precision of finality.

From where he had slung his tall canvas between two ancient, high-backed chairs as an improvised easel, he could see the northern terrace and the people gathered there—Madame de Moidrey in animated conversation with Halkett; Peggy knitting fitfully and looking over her clicking needles at the youthful Vicomte d'Aurès, who had pushed aside the tea table in order to obtain an unobstructed view of this American girl who was making his boyish head spin.

Beyond them, on a steamer chair, lay Gray. Sister Eila sat beside him sewing. There was conversation between them and Madame de Moidrey and Halkett—across and across, cat-cradle fashion—but it passed through Peggy and D'Aurès unheeded, as wireless in the upper air currents; and the Countess glanced occasionally at her sister or let her eyes rest on D'Aurès now and then with a pleasant, preoccupied air, as though considering other things than those which were passing under her pretty nose.

From time to time Philippa came around to where Warner stood before his canvas, and remained beside him in silence while he studied what he had done.

Once he looked up questioningly; the girl took possession of his right arm with both of hers and rested her cheek lightly against his shoulder. No words could have praised or reassured him as eloquently. And he understood that what he had done was, to her, worthy of all she believed him to be—matchless, wonderful, and hers.

The light had failed a little in the early August sky, but the clouds had cleared and the sun glittered in the west. There was light to work by, yet.

He clothed his canvas in a mystery of cobweb shadow: behind her there was a dull gleam of duller tapestry; delicate half-lights made the picture vague, so that the "clean flame" of her seemed the source of all light, its origin, making exquisite the clear, young eyes.

He knew that what he had painted was already a fit companion to be placed among the matchless company looking down on them from the walls through a delicate bloom of dust.