He had only one regret to interfere with his sleep and his digestion; he was sorry he had not fired his pistol into the youthful face of Nihla Quellen. He should have avenged himself, taken his chances, and above everything else he should have destroyed her beauty. His timidity and caution still caused him deep and bitter chagrin.
For nearly a year he heard absolutely nothing concerning her. Then one day a letter arrived from Ferez Bey through Max Freund, both being in New York. And when, using his key to the cipher, he extracted the message it contained, he had learned, among other things, that Nihla Quellen was in New York, employed as a teacher in a school for dancing.
The gist of his reply to Ferez Bey was that Nihla Quellen had already outlived her usefulness on earth, and that Max Freund should attend to the matter at the first favourable opportunity.
III
SUNSET
On the edge of evening she came out of the Palace of Mirrors and crossed the wet asphalt, which already reflected primrose lights from a clearing western sky.
A few moments before, he had been thinking of her, never dreaming that she was in America. But he knew her instantly, there amid the rush and clatter of the street, recognised her even in the twilight of the passing storm—perhaps not alone from the half-caught glimpse of her shadowy, averted face, nor even from that young, lissome figure so celebrated in Europe. There is a sixth sense—the sense of nearness to what is familiar. When it awakes we call it premonition.
The shock of seeing her, the moment’s exciting incredulity, passed before he became aware that he was already following her through swarming metropolitan throngs released from the toil of a long, wet day in early spring.
Through every twilit avenue poured the crowds; through every cross-street a rosy glory from the west was streaming; and in its magic he saw her immortally transfigured, where the pink light suffused the crossings, only to put on again her lovely mortality in the shadowy avenue.