As it was blind we called it "Love," which later was changed to "Cupid," and finally, when we discovered it true gormandizing character, for "Cupid" we substituted "Cupidity," by which name it flourished and fattened.

"What a change," said Sweetheart sadly, "from Blind Love to Blind Greed!"

The mole grew very fat.

XVII.

When the winds stir the leaves among the poplars, and the long shadows fall athwart the fields; when the winds rise at night, and the branches scrape and crack above the moonlit snow; when in the long hot days the earth is bathed in fragrance, and all the little creatures of the fields are silent; when in the still evenings the flowers perfume the air, and the gravel walks shine white in the moonlight; when the breezes quicken from the distant coast; when the sand shakes beneath the shock of the breakers, and every wave is plumed with white; when the calm eye of the beacon turns to mine, lingers, and turn away, and the surf is yeasty and thick; when I start at the sound of a voice from the cliffs, and my eyes are raised in vain; when the white gulls toss and drift in the storm-clouds, and the water hurries out in the black ebb tide; when I rise and look from the window; when I dress; when I work with pen and colour; when I rest; when I walk; when I sleep—there is one face before my eyes, one name on my lips. For the white shadow is turning gray, and God alone knows the end.

XVIII.

And God alone knows the end, for the mists are crowding, brooding like angry-browed clouds, and I hear the whistle of unseen winds, and my life-flame wavers and sinks and flares, blown hither and thither, tossing, fading, leaping, but fading, always fading.

In a flash, like a printed picture on a screen, illuminated, keenly etched in the white glare, I see the bed, and the people around me, the black gowns, the pale eyes of the doctor, the sponge and basin, the rolls of lint.

Voices, minute but clean-cut and clear as picked harp-strings, tinkle in my ears; the voice of the doctor, other voices, but always the voice of the doctor—"The splinter of bone on the brain; the splinter pressing on the tissues; the depression."

The doctor! That is the man! That is the man who comes to my side, who follows, follows where I go, who seeks me throughout the world! I saw him as I lay flung on the turf, limp, unconscious, below the cliffs on the Aspen hills; I felt his presence in the studio; I heard him creeping at my heels across the gorse thickets of St. Gildas. And now he has come to cut short the magic second, to turn back time—back, back, into the old worn channels, rock-ribbed and salt with tears.