"But they say these gentlemen are capable of painting themselves," I observed, tempted to excite her by the hint that the Rangers smeared their faces like painted Iroquois at their hellish work.
"Oh, how shameful!" she cried, with a little gesture of horror. "What do you think us, there in Canada? Because our officers must needs hold a wilderness for the King, do you of New York believe us savages?"
The generous animation, the quick color, charmed me. She was no longer English, she was Canadienne—jealous of Canadian reputation, quick to resent, sensitive, proud—heart and soul believing in the honor of her own people of the north.
"Let me picture for you these gentlemen whom the rebels cry out upon," she said. "Sir John Johnson is a mild, slow man, somewhat sluggish and overheavy, moderate in speech, almost cold, perhaps, yet a perfectly gallant officer."
"His father was a wise and honest gentleman before him," I said sincerely. "Is his son, Sir John, like him?"
She nodded, and went on to deal with old John Butler—nor did I stay her to confess that these Johnsons and Butlers were no strangers to me, whose blackened Broadalbin home lay a charred ruin to attest the love that old John Butler bore my family name.
And so I stood, smiling and silent, while she spoke of Walter Butler, describing him vividly, even to his amber black eyes and his pale face, and the poetic melancholy with which he clothed the hidden blood-lust that smoldered under his smooth pale skin. But there you have it—young, proud, and melancholy—and he had danced with her at Niagara, too, and—if I knew him—he had not spared her hints of that impetuous flame that burned for all pure women deep in the blackened pit of his own damned soul.
"Did you know his wife?" I asked, smiling.
"Walter Butler's—wife!" she gasped, turning on me, white as death.
There was a silence; she drew a long, deep breath; suddenly, the gayest, sweetest little laugh followed, but it was slowly that the color returned to lip and cheek.