Four brick dwelling houses had been made over into one with studios on every floor—a rather pretty Colonial effect with green shutters, white doorway, and iron fence painted white.
In the quaint vestibule with its classic fanlight and delicate side-lights, he found her name on a letter box and pushed the electric button. The street door swung open noiselessly.
On the ground floor, facing him on the right, he saw a door on which was a copper plate bearing the names, "Miss Davis; Miss Quest." The door opened as he touched the knocker; a young girl in stained sculptor's smock stood there regarding him inquiringly, a cigarette between her pretty, clay-stained fingers.
"Miss——" he checked himself, reddening—"Mrs. Grismer, I mean?" he asked.
The girl laughed. She was brown-eyed, pink-cheeked, compactly and beautifully moulded, and her poise and movement betrayed the elasticity of superb health.
"She's out just now. Will you come in and wait?"
He went in, aware of clay studies on revolving stands, academic studies in unframed canvases, charcoal drawings from the nude, thumb-tacked to the wall—the usual mess of dusty draperies, decrepit and nondescript furniture, soiled rugs and cherished objects of art. A cloying smell of plasticine pervaded the place. A large yellow cat, dozing on a sofa, opened one golden eye a little way, then closed it indifferently.
The girl who had admitted him indicated a chair and stepped before a revolving table on which was the roughly-modelled sketch of a horse and rider.
She picked up a lump of waxy material, and, kneading it in one hand, glanced absently at the sketch, then looked over her shoulder at Cleland with a friendly, enquiring air:
"Miss Quest went out to see about her costume. I suppose she'll be back shortly."