They wore golden Burmese masks; their bodies to the girdles were covered with open-work golden filigree; from the fantastic pagoda-like shoulder-pieces gold gauze swept away like the folded golden wings of dragon-flies; golden bangles and bells tinkled on wrist and ankle.
With slim hands uplifted like the gilded idols they represented, the open eye painted in the middle of each palm became visible. Around them swirled a dazzling throng of Nautch girls.
Suddenly they flung up their arms: the stiff gold masks and body-encasements cracked like gilded mummy cases and fell down clashing around their naked feet, and from the cold, glittering chrysalids stepped out two warm, living, enchantingly youthful figures, lithe and supple, saluting the Prince Siddhartha with bare arms crossed above their breasts.
To one, representing his mother, Maya, he turned, laying the emblems of temporal power at her feet. And, in her, Cleland recognized Helen Davis.
But his eyes were for the other—the Sâkya girl Yasôdhara in gold sari and chuddah, her body clasped with a belt of emeralds and a girdle of the same gems tied below her breasts.
The young Lord Buddha laid the living Rose of the World in her hands. She bent her head and drew it through her breast-girdle. Then, silk-soft, exquisite, the Sâkya maid lifted her satin-lidded eyes, sweeping the massed audience above as though seeking some one. And Cleland saw that her eyes were lilac-grey; and that the girl was Stephanie.
Suddenly the massed orchestras burst into an anachronistic two-step. The illusion was shattered; the ball was on! Assistants ran up and gathered together the glittering débris and pushed chariot, papier maché elephant and camel and palanquin through the two entrances; god seized goddess, heroes nabbed nymphs; all Olympus and the outlying suburban heavens began to foot it madly to the magic summons of George Cohan.
Under the blaze of lights the throng on the dancing floor swirled into glittering whirlpools and ripples, brilliant as sunset on a restless sea. The gaily costumed audience, too, was rising everywhere and leaving seats and stalls and boxes to join the dancing multitudes below.
Before he descended, Cleland saw Grismer and Stephanie dancing together, the girl looking up over her shoulder as though still searching the tiers of seats above for somebody expected.
Before he reached the floor he began to meet old friends and acquaintances, more or less recognizable under strange head-dresses and in stranger raiment.