He allowed himself just so much to spend on Americana; just so much to spend on his establishment, so much to invest, so much to give to charity——
"Damnation!" he repeated aloud.
It was the last morning of the exhibition at the Christensen Galleries of early American furniture. That afternoon the sale was to begin. He had not had time for preliminary investigation. He realized the importance of the collection; knew that his friends would be there in force; and hated the thought of losing such a chance.
Turning the leaves or his newspaper for the advertisement, he found himself again confronted by the columns containing the dreary "Hundred Neediest Cases." And against every inclination he re-read the details of Case 119.
Odd, he thought to himself angrily, that there was nobody in the city to contribute the few dollars necessary to this little girl. The case in question required only fifty dollars. Fifty dollars meant a home, possibly moral salvation, to this child with her winning disposition and unruly ways.
He read the details again, more irritated than ever, yet grimly interested to note that, as usual, it is the very poor with many burdens who help the poor. This carpenter, living probably in a tenement, with a wife, an unborn baby, and a herd of squalling children to support, had still found room for another little waif, whose drug-sodden parents had been kind to her only by dying.
John Cleland turned the page, searched for the advertisement of the Christensen Galleries, discovered it, read it carefully. There were some fine old prints advertised to be sold. His hated rivals would be there—beloved friends yet hated rivals in the endless battle for bargains in antiquities.
When he got into his car a few minutes later, he told the chauffeur to drive to Christensen's and drive fast. Halfway there, he signalled and spoke through the tube:
"Where is the United Charities Building? Where? Well, drive there first."
"Damn!" he muttered, readjusting himself in the corner under the lynx robe.