"Why didn't he divorce her if he knew of all this she was doing?"
"He had a little girl to think of. After all, Verne had lived his life. Better snuff it out that way and leave the child in decent ignorance of family dissension.... And that was the matter with Clarence Verne, Cleland. And I tell you that into the heart of every man who has been fool enough to marry, some canker is eating its way. There is not one woman in a million with mind enough and humanity enough to keep her husband's love—not one who knows enough to
'Let him alone
And he'll come home—'
Not one with the brains, mental resource, wisdom, to mate without becoming a parasite. And still, all over the world the asses are solemnly asking each other, 'Is marriage a failure?' Bah! The world makes me very sick!"
They went to Verne's funeral a few days later. The widow was very pretty in her deep mourning. Her little girl was with her.
But the affair was not even a nine-days' gossip in the artists' world. Verne had stalked wistfully among them for a few years, but had never been of them since his marriage: he had lived at home in one of the fashionable quarters, although his studio—and his heart—were in Chelsea.
So his well-known magazine covers were missed more than he was, and people soon ceased discussing him and his fate; and in a month nobody remembered whether it had been done with a razor or a revolver. And very few cared.
As for Cleland, he had never known Verne well, and the damnation of his taking off affected him only superficially. Besides, busy men have little time to bother about death; and Cleland was now extremely busy with his novel, which began to take definite shape and proportion under unremitting labour.
He now saw Stephanie much as usual; and the girl did not seem seriously changed toward him in behaviour. Her spirits appeared to be high always; she seemed to be always doing something interesting and delightful, dining out, going to theatres—though the choice was now limited, as many were already closed for the summer—motoring out to the country, taking her dancing and dramatic lessons, entertaining in the studio.
It is true that he seldom or never saw Stephanie alone now, but that seemed accidental, because he really had been absorbed in his work and she was usually out somewhere or other during the day. But she appeared to be cordial to him—just as full of gay malice and light banter as ever—full of undisguised interest in the progress of his work and delighted with his promise to let her read the manuscript when it was typed and before he submitted it to any publisher.