"You funny Englishman—I believe you are.... And we'll make this thing go. Down comes my real-estate shingle; I'm a part of the Dankmere Galleries now. I'll rent the basement after our first sale and there you and I will fuss and tinker and doctor and nurse any poor old derelict of a picture back to its pristine beauty. What?"
"Not I," said the little Earl. "All I'm good for is to furnish the initial stock. You may do what you please with it, and we'll share profits according to contract. Further than that, Quarren, you'll have to count me out."
"Don't you care for pictures?"
"I prefer horses," said the Earl drily—"and, after the stable and kennel, my taste inclines toward Vaudeville." And he cocked up one little leg over the other and whistled industriously at a waltz which he was attempting to compose. He possessed a high, maddening, soprano whistle which Quarren found painful to endure; and he was glad when his lordship departed, jauntily twirling his walking-stick and taking fancy dance steps as far as the front door.
Left alone Quarren leaned back in his chair resting his head against the new olive-tinted velvet.
He had nothing to do but sit there and gaze at the pictures and wait for an answer to his telegram.
It came about dusk and he lighted the gas to read it:
"Come up to Witch-Hollow to-morrow.
"Marie Wycherly."
He could not leave until he had planned for work to go on during his absence. First he arranged with Valasco to identify as nearly as possible, and to appraise, the French and Italian pictures. Then he made an arrangement with Van Boschoven for the Dutch and Flemish; secured Drayton-Quinn for the English; and warned Dankmere not to bother or interfere with these temperamental and irascible gentlemen while in exercise of their professional duties.
"Don't whistle, don't do abrupt skirt-dances, don't sing comic songs, don't obscure the air with cigar smoke, don't go to sleep on the sofa and snore, don't drink fizzes and rattle the ice in your glass——"