To Quarren the work was fascinating and, except for his increasing worry over Strelsa Leeds, would have been all-absorbing to the degree of happiness—or that interested contentment which passes for it on earth.
To see the dull encasing armour of varnish disappear from some ancient masterpiece under the thumb, as the delicate thumb of the Orient polishes lacquer; to dare a solvent when needed, timing its strength to the second lest disaster tarnish forever the exquisite bloom of the shrouded glazing; to cautiously explore for suspected signatures, to brood and ponder over ancient records and alleged pedigrees; to compare prints and mezzotints, photographs and engravings in search for identities; to study threads of canvas, flakes of varnish, flinty globules of paint under the microscope; to learn, little by little, the technical manners and capricious mannerisms significant of the progress periods of each dead master; to pore over endless volumes, monographs, illustrated foreign catalogues of public and private collections—in these things and through them happiness came to Quarren.
Never a summer sun rose over the streets of Ascalon arousing the Philistine to another day of toil but it awoke Quarren to the subdued excitement of another day. Eager, interested, content in his self-respect, he went forth to a daily business which he cared about for its own sake, and was fast learning to care about to the point of infatuation.
He was never tired these days; but the summer heat and lack of air and exercise made him rather thin and pale. Close work with the magnifying glass had left his features slightly careworn, and had begun little converging lines at the outer corners of his eyes. Only one line in his face expressed anything less happy—the commencement of a short perpendicular crease between his eyebrows. Anxious pondering over old canvases was not deepening that faint signature of perplexity—or the forerunner of Care's signs manual nervously etched from the wing of either nostril.
CHAPTER XII
Since Quarren had left Witch-Hollow, he and Strelsa had exchanged half-a-dozen letters of all sorts—gay, impersonal notes, sober epistles reflecting more subdued moods, then letters fairly sparkling with high spirits and the happy optimism of young people discovering that there is more of good than evil in a world still really almost new to them. Then there was a long letter of description and amusing narrative from her, in which, here and there, she became almost sentimental over phases of rural beauty; and he replied at equal length telling her about his new shop-work in detail.
Suddenly, out of a clear sky, there came from her a short, dry, and deliberate letter mentioning once more her critical worldly circumstances and the necessity of confronting them promptly and with intelligence and decision.
To which he answered vigorously, begging her to hold out—either fit herself for employment—or throw her fortunes in with his and take the chances.
"Rix dear," she answered, "don't you suppose I have thought of that? But I can't do it. There is nothing left in me to go on with. I'm burnt out—deadly tired, wanting nothing more than I shall have by marrying as I must marry. For I shall have you, too, as I have always had you. You said so, didn't you?