Again she obeyed, his eyes following her eagerly.
“Sit on the model’s chair. Bare your breast more. What are you afraid of, you little fool? Remember, I’m an artist. I’ve been itching to paint you, itching. I’ve thought of you all the time I’ve been away. I have a dozen ideas. I’m going to make you famous.”
A passion almost cruel in its intensity seemed to seize him. Imperiously he made her hold the pose and painted with swift sure strokes. He stopped reluctantly for lunch and bade her hurry and again take the pose. He worked until the light failed, then laid aside his brush with a regretful sigh.
“Voila! Come and look at this.”
Again the girl marvelled at what she saw. These curves of milky shoulders, that slim, silky beauty of neck and throat, the shell-like ear, the faintly hollow cheek with its suggestion of pathetic sweetness, and above all the superb mass of hair,—here glinting with the brightness of stubble in September sunshine, there richly gold as the ripened grain. Could this really be she? Frossard might be a devil, but he painted like an angel.
“I’m tired now,” he said, “I want to rest until dinner. You’ll take dinner with me in the studio. We’ll celebrate.”
She heard him with a heaviness of heart. All his artistic fire had left him and he seemed to be very old. More than ever she was conscious of his odour, and the flies that followed him everywhere. The joy the sight of her picture had given her was extinguished. She went away quickly.
Madame Mangepain served them a dinner that excelled anything the girl had ever conceived. Margot ate scarcely at all. Frossard, however, made up for her lack of appetite. He filled himself with delicious food, washed down with draughts of Beaunè from a dusty bottle. He lingered long over the dessert, talking to her of his travels in Morocco, and looking for all the world, like a bloated, heavy-eyed pasha.
“Have one of these cigarettes,” he said. “I get them specially in Cairo.”
The girl refused.