‘I think I had better go now,’ she said. ‘We are both tired, and if you are really in earnest, we can talk it over to-morrow. Good-night, James.’
‘Good-night,’ returned Forster, just touching her cheek with his lips. ‘But don’t go till you have heard me out, I have told you that I love Miss Vere, and that I have proposed to her, but there is something more.’
‘Yes?’
‘She has refused me—that is all.’
CHAPTER XXIV.—WHITE BIDS A LAST FAREWELL TO BOHEMIA.
All this time Madeline was dwelling with White in a familiar corner of Bohemia—a quarter of the world which is fast disappearing before the brand-new dwellings of artistic gentility—and which, when it finally disappears (as seems inevitable), will take something with it that even respectability can never quite replace.
The dwellers in Bohemia, now rapidly disappearing like the dear old quarter itself, had many faults and not a few vices, but these were all forgotten in the presence of natural charm and irresistible bonhomie. They wore great beards, drank beer, and smoked great pipes; their clothes were seedy and eccentric, their manners rough and merry, their tastes the very reverse of refined; they had very little money, but that little they freely shared among one another; they loved late hours, wild talk, song-singing, and the social glass; they still regarded the theatre as an educational institution, and talked with pagan enthusiasm of the old gods of the stage. They were neither very clever nor very wise, and they have left no literary monuments to keep their memories fresh; but they enjoyed life, and in their own rough way respected the literary craft to which they belonged. For them Bohemia was a pleasant place.
Here Marmaduke White was born, and bred, and was, in due season, to die. All attempts to coax him to cleaner and cosier quarters were unavailing. Although one by one his fellow-Bohemians fell away, corrupted by the heresy of respectability and clean linen; although those who were born in the same quarter with him listened to the new commercial culte and became prosperous men of business; although Jones the novelist drove his brougham and frequented genteel parties, while Brown the painter wore fine raiment, sold his pictures for splendid prices, and put up at a fashionable club, White still remained as he had been—impecunious, irresponsible, generally out-at-elbow. It was his constant complaint that the old landmarks were fast changing. ‘If I live long enough,’ he said, ‘I shall stand on the ruins of the last chop-house and see the last night-house turned into a temperance hotel. The downfall of Bohemia dates from the day when Thackeray became famous, smoked cigars, and built that nice house at Kensington. It is the apotheosis of the Snob. Even at the Garrick, where one used to meet all the talent, the Snob is rampant. There is not a foyer of the old kind in all London. The literary man has become a commercial gent the artist is a spiritualised bagman—even the actor wears fine clothes and goes to swell garden-parties. Sic transit gloria Bohemio! I begin to feel like a man who has endured beyond his due time; a sort of Wandering Jew, the old clothes-man of an extinct existence and a perished creed. I should not so much care if people were much better for the change—but they are not. Fellows are valued now, not for what they are, but for what they earn. The very journals are grown brazen-fronted and rave of Mammon. A great book is a book that makes a great deal of money; a great artist is one who earns a great sum. At my time of life I can’t, set up as a swell, I like my glass of good beer, and my pipe, and my shirt sleeves. When I die my epitaph will be “Et ille in Bohemia fuit”—and I suppose I shall be the last of the race.’