1st Verse: E! e! e! Si-vu Mambule juju la em u jeka le

2nd Verse: E! e! e! Noul e nul em u ieka la bulu iuju le

It will be observed that the first line is whistling only. I was informed that it is a common practice to whistle the air before singing the first verse; though I did not gather that it was always done. It will also be noticed that simple harmonies occur in the fourth and fifth bars. I cannot say whether the two parts in the music are sustained or taken up by the voices upon any defined scheme, and, if so, what that scheme is. Nor can I say whether the voices which take the lower notes in the music are silent after the word la, or repeat that word in the sixth bar, with or without the upper voices, in order to bring the tune to a full close. I have only given two verses; and, as regards the song in question, I doubt if there were any more. Unfortunately I am unable to translate the words, and can only give the meanings of the following:—

E! e! e! are merely meaningless exclamatory sounds, such as we have in civilised songs. Sivu is the name of a Fuyuge community close to the Mission Station, being, in fact, the one referred to by me in my chapter on communities. Mambule is the name of another of these communities, further away from the station, being, as stated in my introductory chapter, the name of the community from which the name Mafulu arises. I cannot give verbal explanations of any of the other words; but I may say that a rough translation of the second verse is “My village, your village is alike (or equal.)”

Dancing.

The Mafulu people, like other New Guinea natives, are fond of dancing, and indulge in it extensively, especially in connection with feasts and ceremonies.

Their dancing is of an exceedingly active and lively character. The movements of the feet are lively and jumping, often half a hop and half a run; and, whilst dancing, their heads are actively moving backwards and forwards and to both sides. The general progressive movement of a dancing party is slow, but not a crawl; and the progress along the village enclosure is usually accomplished by a series of diagonal advances, by which they zig-zag backwards and forwards across the enclosure, and in this way gradually travel along it. Very often the dancers divide themselves into two parties, which in their zig-zag progress alternately approach and recede from each other. The dancers are always facing in the direction in which at that moment they are moving. Men and women never dance together, except at the big feast, where they do so in the way already described.

This method of dancing is in striking contrast to that of the Mekeo people, whose movements are generally very gentle and slow, those of the feet, which are accompanied by a corresponding genuflexion, downwards and outwards, being a slow slight step, usually barely more than a shuffle, the feet being hardly lifted off the ground, and those of the head being confined to a slow and sedate backwards and forwards nodding. Also the progress of a party of Mekeo dancers is generally very slow,—a crawl,—so much so as often to be barely perceptible, perhaps two or three inches being accomplished at each step, and the line of progress of a dancing party is usually a straight line down the village enclosure; and more commonly, though not always, the position of each dancer is sideways to the then actual direction of progression. And in Mekeo women and men often dance together in one group.

Another difference between Mafulu and Mekeo dancing is that among the Mafulu, though the drum-beating and dancing go on simultaneously, the singing, in which all the dancers and non-dancers of both sexes join, does not usually take place during the actual dancing, but only during periodic pauses, in which the drum-beating and dancing cease; whereas in Mekeo the drum-beating, dancing and singing all go on continuously and simultaneously. As regards these Mafulu pauses in the dancing, I should explain that these are quite distinct from the resting pauses (in which there is neither drum-beating, dancing, nor singing) which are customary both among the Mafulu and the Mekeo people.