"Actually," Alcorn said, "I've begun to worry about my sanity and I'm afraid my gift is responsible. For the past week, I've had a recurrent hallucination, a sort of waking nightmare that comes just when I least expect it and leaves me completely unstrung. It's worse than recurrent—it's progressive, and each new seizure leaves me a little closer to something that I'm desperately afraid to face."

The psychiatrist made a judicious tent of his fingers. "Obviously you are an intelligent and conscientious man, Mr. Alcorn, else you would not have contented yourself with your comparatively minor job. But your profession as claims adjustor must impose a considerable strain upon your nervous organization. Add to this that you are a bachelor at the age of thirty-three and the natural conclusion—"

In spite of his mood, Alcorn laughed. "Wrong tack—remember my gift! Besides, I'm engaged to be married next month and I'm quite happy with the prospect. This trouble of mine is something entirely different. It's tied in somehow with my talent for soothing and it scares me."

He could have added that Jaffers' hardly veiled threat on his life disturbed him as well, but saw no point in wasting time on the one danger he understood perfectly.

"This vision," Alcorn said, "and the sensory sharpness and conviction of disaster that come with it—it's no ordinary hallucination. It's as real as my peculiar talent and represents a very real danger. It's working some sort of change in me that I don't like and I've got to find out what that change is or I'm done for. I feel that."

Obligingly, the psychiatrist said, "Describe your experience."

Talking about it made perspiration stand out on Alcorn's forehead. "First I'm seized with a sudden sense of abnormally sharpened perception, as if I were on the point of becoming aware of a great many things beyond my immediate awareness. I can feel the emotions of people about me and I have the conviction that, in another moment, I shall be able to feel their thoughts as well.

"Then I seem to be standing alone on a frozen arctic plain, a polar wasteland that should be utterly deserted, but isn't. I've no actual sensations of touch or hearing, yet the scene is visually sharp in every detail.

"There's a small village of corrugated sheet-metal houses just ahead, the sort that engineers on location might raise, and the streets between are packed with snow. Machines loaded with metal boxes crawl up and down those streets, but I've never seen their drivers. Until this morning, I never saw any people at all on the plain."