The boy wasn't watching the flats tonight, as he usually did. Instead he was lying back in his chair with his face turned to the sky, staring upward with such absorbed intensity that he didn't even know I was there until I spoke.
"Anything wrong, Joey?" I asked.
He said, "No, Roy," without taking his eyes off the sky.
For a minute I had the prickly feeling you get when you are watching a movie and find that you know just what is going to happen next. You're puzzled and a little spooked until you realize that the reason you can predict the action so exactly is because you've seen the same thing happen somewhere else a long time ago. I forgot the feeling when I remembered why the kid wasn't watching the palmetto flats. But I couldn't help wondering why he'd turned to watching the sky instead.
"What're you looking for up there, Joey?" I asked.
He didn't move and from the tone of his voice I got the impression that he only half heard me.
"I'm moving some stars," he said softly.
I gave it up and went on to my own trailer without asking any more fool questions. How can you talk to a kid like that?
Doc Shull wasn't in, but for once I didn't worry about him. I was trying to remember just what it was about my stumbling over Joey's wheelchair that had given me that screwy double-exposure feeling of familiarity. I got a can of beer out of the ice-box because I think better with something cold in my hand, and by the time I had finished the beer I had my answer.
The business I'd gone through with Joey outside was familiar because it had happened before, about six weeks back when Doc and I first parked our trailer at the Twin Palms court. I'd nearly stumbled over Joey that time too, but he wasn't moving stars then. He was just staring ahead of him, waiting.