Tom became the constant companion of Harry in the workshop, as he was a lover of the mechanical arts. Ralph had the spirit of adventure, and was the counterpart of George, who liked to investigate. These two became the animated question marks of the party. On every subject they took a leading part.
The second evening George brought out his home-made violin. This was the occasion for another surprise. Red Angel was at the feet of George in an instant. Tom could not keep his hands still, as he had also learned to play the instrument, and ventured to suggest that he would like to assist in building a bass viol, and not to be outdone Ralph offered to construct a flute.
The violin that evening was another link in the chain which was to eventually convert a savage into an instrument of untold value to the people of that island. At first Chief could not understand it. He tried to see where the wailing noise came from and pressed closer and closer to George as he played. When George played another tune in quick time he became animated, and slow, plaintive music seemed to subdue him.
"Do you know," said the Professor, "that what we call music does not appear as such to savages. Noise and sound are not distinguished by them. The beating of their crude tom toms is the only thing that appeals to their ears. That is simply noise. Rhythm and time are recognized, principally because all their music is associated by some act of dancing."
"I have often wondered why it is that dancing is such a universal custom?" ventured Tom.
"Among all ancient peoples it formed the integral part of religious ceremonies, and is even to-day practiced by many of the eastern Christians in that manner. It was the custom of the Jews from their first historical account, as shown in the account given in Exodus, where Miriam the prophetess, sister of Moses, took a timbrel in her hand and went out with the other women with timbrels and dances. The Hebrews had a regular chorus in the Temple, with dancing performers of women; and the dance was adopted as a fitting close to the feast of the Tabernacle, when the rulers of the synagogues, the doctors of the schools, and even the members of the Sanhedrin, accompanied the sacred music with their voices, and leaped and danced with torches in their hands until morning."
"Do you think the savages even in these western islands use the dance as a religious ceremony?"
"All tribes in the Island of the Pacific, and I might say, over the entire world, associate these dances with religion, with war, and with some festive commemoration of events. I dare say that you boys have witnessed some of those rites."
Ralph responded to this: "We saw that happen on the occasion the victims were sacrificed by the savages who captured us, as I related in my story the other day. The other tribe also had a dance, but it was so entirely different that we both noticed it at the time."
"Your observation was correct. As in clothing, and in the matter of decorations, so different peoples show their dancing characteristics by different traits. This is true of all civilized people as well. Of these, the best known, which I might mention, are the tarantella of the Neapolitans, the bolero and fandango of the Spaniards, the mazurka and cracovienna of Poland, the cosack of Russia, the redowa of Bohemia, the quadrille and cotillion of France, the waltz, polka and gallopade of Germany, the reel and sword dance of Scotland, the minuet and hornpipe of England, the jig of Ireland, and the last to capture America is the tango."