A fire was quickly kindled, and the man with the bowl knelt down, after fixing two stones on opposite sides of the fire. From a small receptacle he took a powder, and dropped it into the bowl, and[p. 87] after holding the flower aloft, the man who took it from the tree, dropped it into the smoking bowl.
Instantly the people resumed their natural poses, and began to dance. The Chief spoke a word to Uraso, and the band struck up a lively tune. Then, to the ringing blare of the band, and the shrieks and shouts of the people the dance began. It was one continuous whirl, and many of them became frenzied.
The Chief himself participated in this part of the ceremony, and swung himself around and around in a giddy whirl. During all this time each fellow was for himself. They did not have partners as in the civilized dances.
The tangoing was an individual effort, and each enjoyed it in his own way, but they all kept step to the music, showing the savage characteristic of being able to observe rhythmic effects.
The boys caught the spirit of the occasion, and joined in the wild swirl. Uraso and Muro were at it, and the sole spectator was John, who said that he felt too old to learn the new steps.
When the band stopped the people rested, but there was no disposition to break up the merry party, and when the music again struck up the whole scene was acted over again. It was noon before the grand ball ceased.
Then, at a sign from the Chief the procession reformed, and went back over the trail, the people dancing all the way, and, apparently, without exhibiting any signs of weariness, although it must be stated that the band was nearing collapse, when the people dispersed.