He had feared there might be difficulty in gaining admission, since he could claim no previous experience of the plastic arts, but in this his misgivings proved groundless. It was merely a matter of paying one’s fee—a small fee at that—and taking one’s place.
Asked if he had any choice of masters, he shook his head. He was placed therefore under the guardianship of Le Maître Jean Paul Laurens, a man “both strong and brilliant,” whose studio was on the first floor.
Since he desired to spend the day seeing Paris, and purchasing colours and canvas, Wynne decided he would not start work until the morrow.
“Bien; demain matin à huit heures! Très bien. Au ’voir.”
III
It was splendid to reflect that he was a full-blown student of the Quartier, thought Wynne, as with ringing steps he swung along the narrow thoroughfares. He wished Uncle Clem had been there to witness his glory. Never before had he felt so confident of his own personality. Rivulets of water danced and chattered along the gutters reflecting the gladness of his mood—the sun shone gloriously on the tall white houses. Quaint old men with baskets of merchandise piped beseechingly on tiny horns. Thousands of purple-dyed eggs filled the shop windows, and the wonderful, everchanging, raffish, homely crowds chattered, gesticulated and hurried along in ceaseless streams.
Wynne was possessed with a foolish desire to shake hands with every one he met, and tell them all about himself; to explain why he had come, and to give them a glimpse of the workings of his many-sided nature. A measure of common sense dissuaded him from so doing, but he sang as he walked, and expanded his narrow chest to its fullest capacity. Presently he found himself by the riverside, and hovered awhile over the book-sellers’ stalls perched on the stone copings of the embankment. At one of these he bought a translation of Shakespeare’s works, an old volume of Balzac, and some paper-bound copies of the plays of Molière. It was the first time he had rummaged among books, and the experience was delightful. The mere touch of them sent a thrill of learning through his being.
For awhile he hovered by the riverside watching the energetic steamboats—the sober barges—and the great floating warehouses moored by the tow-path. Everywhere were people sketching—placid and preoccupied. No crowds of curious urchins jostled around them with stupid comments, as was always the case at home when any one had the temerity to bring their colour-box into the open day.
Paris respected its artists, and gave them as great seclusion out of doors as in their own studios. Sombre sportsmen, rodded and camp-stooled, lined the banks and strove to catch the elusive gudgeon. It seemed as though their attention was centred anywhere but upon the float. Their eyes rested dreamily on the spanned arches of Pont Neuf or the flying buttresses of Notre Dame, while invisible fish in the green waters beneath worried the bait from the hook with perfect immunity from danger.
To the island of Notre Dame Wynne directed his steps, and spent an hour of sheer delight with imagination let loose. Romance breathed in the air around him, and memory of dead things sprang to life. He pictured himself back in Dumas’ days—with king’s men and cardinals—swashbuckling on the footway—with masked ladies flitting into dark doorways, and the tinkle of blade against blade from some courtyard near at hand.