‘However, all this sort of thing is like your club dinners. The menu goes for little except you have the appetite; if you have that, you can renovate soul and body upon bread and cheese.’ Here he deserted the region of philosophic parallels, and began to picture the expression of satisfaction, perhaps of unrestrained pleasure, that would illumine Antonia Frankston’s countenance upon his arrival. ‘What a charming thing a perfect friendship between two persons of different sexes might be made!’ he thought, ‘if people would not insist upon complicating the highest, noblest, and most exalted sentiment of which our nature is capable with that ridiculous, half instinctive, undignified, inferior passion which men call love. Of course inferior. Why, friendship must necessarily be based upon an equality of culture, of social aims, principles, and sympathies, while the other violent, unreasoning, and unreasonable monopoly may exist between persons of the most widely differing ages, positions, standards of refinement, and intellectual rank; between the dotard and the maiden, the duke and the dairymaid, the peeress and the parvenu, the rustic and the courtier, the spotlessly pure and the incorrigibly base.’
From this it may be gathered that Mr. Neuchamp was not a man addicted to falling violently and promiscuously in love. In point of fact, he had a stupendously high ideal, which, not expecting to realise it in everyday life, seemed to keep the subject a good deal out of his mind. Then he thought a man should do some work under the sun first, and set about a quest for the ‘sangreal’ afterwards. He regarded Antonia Frankston with a deep feeling of interest, as a dear and highly sympathetic friend. He had given her the advantage of many criticisms with respect to the course of reading, very unusual for a girl of her age, that she was pursuing when they first met, and since then had advised and directed her intellectual progress.
Insensibly the natural sympathy between the master and a promising pupil was quickened and intensified by the originality of mind which Antonia evinced. When Ernest Neuchamp magnanimously departed for the interior, he had commenced to notice the awakening of an unacknowledged feeling that the hour’s talk and make-believe school at Morahmee was the period of the day he was most eager to seize, most unwilling to relinquish.
And now how altered and strengthened as to her intellectual grasp must she be—this unsophisticated, unwon child of the fair south—with the brooding fancies and absolute simplicity of a child, the instinctive dignity, the curious aplomb, of a woman. As he reached this not unpleasing stage of his reverie the wheels of the hansom ground viciously the matchless gravel of the drive at Morahmee, and grazed perilously close the snowy sandstone steps in front of the portico.
Ernest recalled the old delicious sense of stillness, the
beautiful silence all around,
Save wood-bird to wood-bird calling,
broken only by the calmly murmurous rhythmic plash of the wavelets on the beach.
It was not a house where people were always coming and going, and he did not remember often to have found Antonia otherwise than alone, on the occasion of his former visits. What was she doing now? Should he find her reading in the library, that pleasant room with the bay window, in which slumberous calms the smiles and storms of ocean were pictures set as in a frame? in the drawing-room? in the shrubbery? in the rose garden? in the morning-room, which she usually affected, and which, having a davenport, her favourite authors, and a cottage piano, was able to supply, indifferently well, the distinguishing features of three more pretentious apartments?
As he passed through the hall the notes of the piano, not of the boudoir, but the grand Erard, with a bass of organ-like depth of vibration, informed him that in the drawing-room he would probably find the youthful châtelaine.