"Oh, what a floor!" said Miranda; "if I were as fond of dancing as I used to be, I could dance all night; and such music! Quite heavenly, if it is not wicked to say so. And there is the sea, too, with the moonlight on it as in old days! We have been taken to an enchanted castle!

"But there is something different. I can hardly describe my feelings. Why, I cannot explain, but going back to dancing now for the mere pleasure of it, when I have entered upon the serious duties of life, appears like returning to one's childish passion for dolls and playthings."

"And yet, how many married people of both sexes are dancing now, not with each other either."

"I see them, and I wonder. I am not surprised at married men dancing—if they like it. If they come at all, they may as well do so as sit down and get weary. But I think the married women should leave the round dances to the girls."

"Would not balls be rather slow if the married women only danced squares?"

"I don't see why. Yet many of the girls have no partners—wall-flowers, I think you call them. And that is hardly fair, surely."

As this dance only came before supper, which was now near at hand, we danced it out. I hardly noticed until the music closed how many of the other couples had stopped, or that quite a crowd had collected around us. This was a tribute, I found, to Miranda's performance, which had an ease and grace of movement such as I never saw any living woman possess. She hardly seemed to use the ordinary means of progression. Hers was a half-aerial motion, in time to every note and movement of the music, while the rhythmic sway and yielding grace of her figure presented the idea of a mermaiden floating through the translucent waves rather than that of a mortal woman.

As she swayed dreamily to the wondrous music of "Tausend und einer nacht," her head thrown slightly back, her parted lips, her wondrous eyes, her faultless form so impressed the by-standers with the ideal of supreme beauty, that they scarce repressed an audible murmur as the music ceased and the dance came to an end.

When supper was announced there was the usual crush, but before the doors were opened a few of the more favoured guests, including the Frankstons and ourselves, were conducted by one of the aides-de-camp to a place near the viceregal party. Miranda was taken possession of by another of our naval friends, who seemed to think that they had special claims upon her, as having knowledge of her island home. I was requested to take in our good friend and fellow-voyager Mrs. Percival, who was more warm and effusive in praise of Miranda than I ever thought possible before her child's danger broke through the crust of her ordinary manner. Now nothing could have been more sisterly and unreserved than her tone and expression.

"It has been quite a luxury to all of us to look on at that wonderful darling of a wife of yours dancing! The whole room, including Lady Rochester, was in ecstasies, I assure you. You came in for your share of compliments also, which I mustn't make you vain by repeating. How exquisitely, how charmingly she does dance! I have seen some of the best danseuses in Europe and India—on and off the stage—and not one worthy to be named with her. She is a dream of grace—the very poetry of motion. I said so before to-night, and now every one agrees with me. It is rather a disappointment in some quarters that she declines to dance except with you. It would seem odd for some people, but being the woman she is I understand it."