We will say nothing of those who still believe in the old idol; grim, envious, blood be-spattered as she is—the barbarous Country. These kill, sacrificing themselves and others, but at least they know what they do. But what of those who have ceased to believe (like me, alas! and you)? Their sons are sacrificed to a lie, for if you assert what you doubt, it is a falsehood, and they offer up their own children to prove this lie to themselves; and now that our beloved have died for it, far from confessing it, we hide our heads still deeper not to see what we have done. After our sons will come others, all the others, offered up for our untruth.
I for my part can bear it no longer, when I think of those who still live. Does it soothe my pain to inflict injury on others? Am I a savage of Homer's time that I should believe that the sorrow of my dead son will be appeased, and his craving for light satisfied, if I sprinkle the earth which covers him with the blood of other men's sons?—Are we at that stage still?—No, each new murder kills my son again, and heaps the heavy mud of crime over his grave. He was the future; if I would save the future, I must save him also, and rescue fathers to come from the agony that I endure. Come then, and help me! Cast out these falsehoods! Surely it is not for our sakes that men wage these combats between nations, this universal brigandage? What good is it to us? A tree grows up straight and tall, stretching out branches around it, full of free-flowing sap; so is a man who labours calmly, and sees the slow development of the many-sided life in his veins fulfil itself in him and in his sons. Is not this the first law, the first of joys? Brothers of the world, which of you envies the others or would deprive them of this just happiness? What have we to do with the ambitions and rivalries, covetousness, and ills of the mind, which they dignify with the name of Patriotism? Our Country means you, Fathers and Sons. All our sons.—Come and save them!
Clerambault asked no one's advice but as soon as he had written these pages he took them to the editor of a small socialist paper nearby. He came back much relieved, as he thought:
"That is off my mind. I have spoken out, at last." But in the following night, a weight on his heart told him that the burden was still there, heavier than ever. He roused himself.
"What have I done?"
He felt that he had been almost immodest to show his sacred sorrow to the public; and though he did not foresee the anger his article would provoke, he knew the lack of comprehension, the coarse comments, which are in themselves a profanation.
Days passed, and nothing happened. Silence. The appeal had fallen on the ear of an inattentive public, the publisher was little known, the pamphlet carelessly issued. There are none so deaf as those who will not hear, and the few readers who were attracted by Clerambault's name, merely glanced at the first lines, and threw it aside, thinking:
"The poor man's head has been turned by his sorrow,"—a good pretext for not wishing to upset their own balance.
A second article followed, in which Clerambault took a final leave of the bloody old fetish falsely called Country; or rather in opposition to the great flesh-eater, the she-wolf of Rome, on whose altar men are now offered up, he set the august Mother of all living, the universal Country: