two bars adagio, languorously drawn out, cause the reverie to glide into a sort of ecstasy,
then a larghetto andante e piano breathes out a tender and melancholy song.
The Largo is resumed. There is in this little poem a melancholy which seems to revive Handel’s personal remembrances.—The allegro ma non troppo with which it finishes is, on the contrary, of a jovial feeling, entirely Beethovenish; it sings joyfully as it bounds along in well-marked three-four time, with a pizzicato-like rhythm.
In the middle of this march a phrase occurs on the two violins of the Concertino which is like a hymn of reverent and tender gratitude.
