[370] Mr. Streatfeild was, I believe, the first to notice an autograph MS. of the Fourth Organ Concerto to which is attached a Hallelujah Chorus built on a theme from the concerto itself. This MS., which is found at the British Museum, dates from 1735, and appears to have been used for the revival in 1737 of the Trionfo del Tempo to which the Concerto serves for conclusion.
[371] Scriabin also.—Translator.
[372] Six Sonatas or Trios for two Hoboys with a thorough bass for the Harpsichord. Published in Vol. XXVII.
[373] Volume XLVIII, page 112.
[374] Volume XLVIII, page 130.
[375] Volume XXVII.
[376] VII Sonatas à 2 violons, 2 hautbois, ou 2 flûtes traversières et basse continue, composées par G. F. Handel, Second ouvrage.
[377] Later on, Walsh made arrangements of favourite airs from Handel’s Operas and Oratorios as “Sonatas” for flute, violin and harpsichord. Six Vols.
[378] In eleven sonatas out of sixteen. One sonata (the third) is in three movements. Three are in five movements (the first, the fifth and the seventh). One is in seven movements (the ninth).
[379] In the first Sonata, the final Presto in common time uses the theme of the Andante in 3-4, which forms the second movement. In the second Sonata, the final Presto in common time is built on the subject of the Andante in 3-4, slightly modified.