But he had hardly sent the letter off than he was ashamed of it and wrote another begging Antoinette to tear up the first and give no further thought to it. He even pretended to be in good spirits and not to be wanting his sister. It hurt his umbrageous vanity to think that he might seem incapable of doing without her.
Antoinette was not deceived: she read his every thought: but she did not know what to do. One day she almost went to him: she went to the station to find out what time the train left for Paris. And then she said to herself that it was madness: the money she was earning was enough to pay for Olivier's board: they must hold on as long as they could. She was not strong enough to make up her mind: in the morning her courage would spring forth again: but as the day dragged towards evening her strength would fail her and she would think of flying to him. She was homesick,—longing for the country that had treated her so hardly, the country that enshrined all the relics of her past life,—and she was aching to hear the language that her brother spoke, the language in which she told her love for him.
Then it was that a company of French actors passed through the little German town. Antoinette, who rarely visited the theater—(she had neither time nor taste for it)—was seized with an irresistible longing to hear her own language spoken, to take refuge in France.
The rest is known.[Footnote: See Jean-Christophe—I, "Revolt.">[
There were no seats left in the theater: she met the young musician, Jean-Christophe, whom she did not know, and he, seeing her disappointment, offered to share with her a box which he had to give away: in her confusion she accepted. Her presence with Christophe set tongues wagging in the little town: and the malicious rumors came at once to the ears of the Grünebaums, who, being already inclined to believe anything ill of the young Frenchwoman, and furious with Christophe as a result of certain events which have been narrated elsewhere, dismissed Antoinette without more ado.
She, who was so chaste and modest, she, whose whole life had been absorbed by her love for her brother and never yet had been besmirched with one thought of evil, nearly died of shame, when she understood the nature of the charge against her. Not for one moment was she resentful against Christophe. She knew that he was as innocent as she, and that, if he had injured her, he had meant only to be kind: she was grateful to him. She knew nothing of him, save that he was a musician, and that he was much maligned: but, in her ignorance of life and men, she had a natural intuition about people, which unhappiness had sharpened, and in her queer, boorish companion she had recognized a quality of candor equal to her own, and a sturdy kindness, the mere memory of which was comforting and good to think on. The evil she had heard of him did not at all affect the confidence which Christophe had inspired in her. Being herself a victim she had no doubt that he was in the same plight, suffering, as she did, though for a longer time, from the malevolence of the townspeople who insulted him. And as she always forgot herself in the thought of others the idea of what Christophe must have suffered distracted her mind a little from her own torment. Nothing in the world could have induced her to try to see him again, or to write to him: her modesty and pride forbade it. She told herself that he did not know the harm he had done, and, in her gentleness, she hoped that he would never know it.
She left Germany. An hour away from the town it chanced that the train in which she was traveling passed the train by which Christophe was returning from a neighboring town where he had been spending the day.
For a few minutes their carriages stopped opposite each other, and in the silence of the night they saw each other, but did not speak. What could they have said save a few trivial words? That would have been a profanation of the indefinable feeling of common pity and mysterious sympathy which had sprung up in them, and was based on nothing save the sureness of their inward vision. During those last moments, when, still strangers, they gazed into each other's eyes, they saw in each other things which never had appeared to any other soul among the people with whom they lived. Everything must pass: the memory of words, kisses, passionate embraces: but the contact of souls, which have once met and hailed each other and the throng of passing shapes, that never can be blotted out. Antoinette bore it with her in the innermost recesses of her heart—that poor heart, so swathed about with sorrow and sad thoughts, from out the midst of which there smiled a misty light, which seemed to steal sweetly from the earth, a pale and tender light like that which floods the Elysian Shades of Gluck.
* * * * *
She returned to Olivier. It was high time she returned to him. He had just fallen ill: and the poor, nervous, unhappy little creature who trembled, at the thought of illness before it came—now that he was really ill, refused to write to his sister for fear of upsetting her. But he called to her, prayed for her coming as for a miracle.