"Come with us. Here is peace. Here sorrow is dead. Dead, and thought is dead too. We croon so sweetly to the soul that it sleeps in our arms, Come, and rest, and thou shalt not wake again."
He felt so worn out! He was so fain to sleep! But he shook his head and said:
"It is not peace that I seek, but life."
He went on his way. He walked for miles without noticing it. In his state of weakness and hallucination the simplest sensations came to him with unexpected resonance. Over earth and air his mind cast fantastic lights. A shadow, with nothing to cause it that he could see, going before him on the white and sunless road, made him tremble.
As he emerged from a wood he found himself near a village. He turned back: the sight of men hurt him. However, he could not avoid passing by a lonely house above the hamlet: it was built on the side of the mountain, and looked like a sanatorium: it was surrounded by a large garden open to the sun; a few men were wandering with faltering footsteps along the gravel paths. Christophe did not look at it particularly: but at a turn of the path he came face to face with a man with pale eyes and a fat, yellow face, staring blankly, who had sunk down on a seat at the foot of two poplar trees. Another man was sitting by his side: they were both silent. Christophe walked past them. But, a few yards on, he stopped: the man's eyes had seemed familiar to him. He turned. The man had not stirred: he was still staring fixedly at something in front of him. But his companion looked at Christophe, who beckoned to him. He came up.
"Who is he?" asked Christophe.
"A patient in the asylum," said the man, pointing to the house.
"I think I know him," said Christophe.
"Possibly," replied the man. "He was a well-known writer in Germany."
Christophe mentioned a name.—Yes. That was the name.—He had met him once in the days when he was writing for Mannheim's review. Then, they were enemies: Christophe was only just beginning, and the other was already famous. He had been a man of considerable power, very self-confident, very contemptuous of other men's work, a novelist whose realistic and sensual writings had stood out above the mediocrity of the productions of his day. Christophe, who detested the man, could not help admiring the perfection of his materialistic art, which was sincere, though limited.