Jean-Christophe Journey's End

by Romain Rolland

It was just at the time when the attack on him in the musical press was at its height. One of the leading Parisian papers was especially implacable: he was like a red rag to a bull to one of the staff who did not sign his name; not a week passed but there appeared in the column headed Échos a spiteful paragraph ridiculing him. The musical critic completed the work of his anonymous colleague: the very smallest pretext served him as an opportunity of expressing his animosity. But that was only the preliminary skirmishing: he promised to return to the subject and deal with it at leisure, and to proceed in due course to execution. They were in no hurry, knowing that a definite accusation has nothing like the same effect on the public as a succession of insinuations repeated persistently. They played with Christophe like a cat with a mouse. The articles were all sent to Christophe, and he despised them, though they made him suffer for all that. However, he said nothing: and, instead of replying—(could he have done so, even if he had wanted to?)—he persisted in the futile and unequal fight with his publisher, provoked by his own vanity. He wasted his time, his strength, his money, and his only weapons, since in the lightness of his heart he was rash enough to deprive himself of the publicity which his music gained through Hecht.

Suddenly there was a complete change. The article announced in the paper never appeared. The insinuations against him were dropped. The campaign stopped short. More than that: a few weeks later, the critic of the paper published incidentally a few eulogistic remarks which seemed to indicate that peace was made. A great publisher at Leipzig wrote to Christophe offering to publish his work, and the contract was signed on terms very advantageous to him. A flattering letter, bearing the seal of the Austrian Embassy, informed Christophe that it was desired to place certain of his compositions on the programs of the galas given at the Embassy. Philomela, whom Christophe was pushing forward, was asked to sing at one of the galas: and, immediately afterwards, she was in great demand in the best houses of the German and Italian colonies in Paris. Christophe himself, who could not get out of going to one of the concerts, was very well received by the Ambassador. However, a very short conversation showed him that his host, who knew very little about music, was absolutely ignorant of his work. How, then, did this sudden interest come about? An invisible hand seemed to be protecting him, removing obstacles, and making the way smooth for him. Christophe made inquiries. The Ambassador alluded to friends of Christophe—Count and Countess Berény, who were very fond of him. Christophe did not even know their name: and on the night of his visit to the Embassy he had no opportunity of being introduced to them. He did not make any effort to meet them. He was passing through a period of disgust with men, in which he set as little store by his friends as by his enemies: friends and enemies were equally uncertain: they changed with the wind: he would have to learn how to do without them, and say, like the old fellow of the seventeenth century:

"God gave me friends: He took them from me. They have left me. I will leave them and say no more about it."

Since the day when he left Olivier's house, Olivier had given no sign of life: all seemed over between them. Christophe had no mind to form new friendships. He imagined Count and Countess Berény to be like the rest of the snobs who called themselves his friends: and he made no attempt to meet them. He was more inclined to avoid them. He longed to be able to escape from Paris. He felt an urgent desire to take refuge for a few weeks in soothing solitude. If only he could have a few days, only a few days, to refresh himself in his native country! Little by little that idea became a morbid obsession. He wanted once more to see his dear river, his own native sky, the land of his dead kinsfolk. He felt that he must see them. He could not without endangering his freedom: he was still subject to the warrant of arrest issued against him at the time of his flight from Germany. But he felt that he was prepared to go to any lengths if he could return, though it were only for one day.

As good luck would have it, he spoke of his longing to one of his new patrons. A young attaché of the German Embassy, whom he met at an At Home where he was playing, happened to say to him that his country was proud of so fine a musician as himself, to which Christophe replied bitterly:

"Our country is so proud of me that she lets me die on her doorstep rather than open to me."

The young diplomatist asked him to explain the situation, and, a few days later, he came to see Christophe, and said:

"People in high places are interested in you. A very great personage who alone has the power to suspend the consequence of the sentence which is the cause of your wretchedness has been informed of your position: and he deigns to be touched by it. I don't know how it is that your music can have given him any pleasure: for—(between ourselves)—his taste is not very good: but he is intelligent, and he has a generous heart. Though he cannot, for the moment, remove the sentence passed upon you, the police are willing to shut their eyes, if you care to spend forty-eight hours in your native town to see your family once more. Here is a passport. You must have it endorsed when you arrive and when you leave. Be wary, and do not attract attention to yourself."

Once more Christophe saw his native land. He spent the two days which had been granted him in communion with the earth and those who were beneath it. He visited his mother's grave. The grass was growing over it: but flowers had lately been laid on it. His father and grandfather slept side by side. He sat at their feet. Their grave lay beneath the wall of the cemetery. It was shaded by a chestnut-tree growing in the sunken road on the other side of the low wall, over which he could see the golden crops, softly waving in the warm wind: the sun was shining in his majesty over the drowsy earth: he could hear the cry of the quails in the corn, and the soft murmuring of the cypress-trees above the graves. Christophe was alone with his dreams. His heart was at peace. He sat there with his hands clasping his knees, and his back against the wall, gazing up at the sky. He closed his eyes for a moment. How simple everything was! He felt at home here with his own people. He stayed there near them, as it were hand in hand. The hours slipped by. Towards evening he heard footsteps scrunching on the gravel paths. The custodian passed by and looked at Christophe sitting there. Christophe asked him who had laid the flowers on the grave. The man answered that the farmer's wife from Buir came once or twice a year.

"Lorchen?" said Christophe.