Jean-Christophe Journey's End

by Romain Rolland

From that moment on they never spoke to each other except in the presence of strangers. They watched each other like trapped beasts fearfully on their guard. Jeremias Gotthelf somewhere describes, with pitiless simplicity, the grim situation of a husband and a wife who no longer love each other and watch each other, each carefully marking the other's health, looking for symptoms of illness, neither actually thinking of hastening or even wishing the death of the other, but drifting along in the hope of some sudden accident: and each of them living in the flattering thought of being the healthier of the two. There were moments when both Jacqueline and Olivier almost fancied that such thoughts were in the other's mind. And they were in the mind of neither: but it was bad enough that they should attribute them to each other, as Jacqueline did at night when she would lie feverishly awake and tell herself that her husband was the stronger, and that he was wearing her down gradually, and would soon triumph over her…. The monstrous delirium of a crazy heart and brain!—And to think that in their heart of hearts, with all that was best in them, they loved each other!…

Olivier bent beneath the weight of it, and made no attempt to fight against it; he held aloof and dropped the rudder of Jacqueline's soul. Left to herself with no pilot to steer her, her freedom turned her dizzy: she needed a master against whom to revolt: if she had no master she had to make one. Then she was the prey of a fixed idea. Till then, in spite of her suffering, she had never dreamed of leaving Olivier. From that time on she thought herself absolved from every tie. She wished to love, before it was too late:—(for, young as she was, she thought herself an old woman).—She loved, she indulged in those imaginary devouring passions, which fasten on the first object they meet, a face seen in a crowd, a reputation, sometimes merely a name, and, having laid hold of it cannot let go, telling the heart that it cannot live without the object of its choice, laying it waste, and completely emptying it of all the memories of the past that filled it; other affections, moral ideas, memories, pride of self, and respect for others. And when the fixed idea dies in its time for want of anything to feed it, after it has consumed everything, who can tell what the new nature may be that will spring from the ruins, a nature often without kindness, without pity, without youth, without illusions, thinking of nothing but devouring life as grass smothers and devours the ruins of monuments!

In this case, as usual, the fixed idea fastened on a creature of the type that most easily tricks the heart. Poor Jacqueline fell in love with a philanderer, a Parisian writer, who was neither young nor handsome, a man who was heavy, red-faced, dissipated, with bad teeth, absolutely and terribly heartless, whose chief merit was that he was a man of the world and had made a great many women unhappy. She had not even the excuse that she did not know how selfish he was: for he paraded it in his art. He knew perfectly what he was doing: egoism enshrined in art is like a mirror to larks, like a candle to moths. More than one woman in Jacqueline's circle had been caught: quite recently one of her friends, a young, newly-married woman, whom he had had no great difficulty in seducing, had been deserted by him. Their hearts were not broken by it, though they found it hard to conceal their discomfiture from the delight of the gossips. Even those who were most cruelly hurt were much too careful of their interests and their social interests not to keep their perturbation within the bounds of common sense. They made no scandal. Whether they deceived their husbands or their lovers, or whether they were themselves deceived and suffered, it was all done in silence. They were the heroines of scandalous rumors.

But Jacqueline was mad: she was capable not only of doing what she said, but also of saying what she did. She brought into her folly an absolute lack of selfish motive, and an utter disinterestedness. She had the dangerous merit of always being frank with herself and of never shirking the consequences of her own actions. She was a better creature than the people she lived with: and for that reason she did worse. When she loved, when she conceived the idea of adultery, she flung herself into it headlong with desperate frankness.

* * * * *

Madame Arnaud was alone in her room, knitting with the feverish tranquillity with which Penelope must have woven her famous web. Like Penelope, she was waiting for her husband's return. M. Arnaud used to spend whole days away from home. He had classes in the morning and evening. As a rule he came back to lunch. Although he was a slow walker and his school was at the other end of Paris, he forced himself to take the long walk home, not so much from affection, as from habit, and for the sake of economy. But sometimes he was detained by lectures, or he would take advantage of being in the neighborhood of a library to go and work there. Lucile Arnaud would be left alone in the empty flat. Except for the charwoman who came from eight to ten to do the cleaning, and the tradesmen who came to fetch and bring orders, no one ever rang the bell. She knew nobody in the house now. Christophe had removed, and there were newcomers in the lilac garden. Céline Chabran had married André Elsberger. Élie Elsberger had gone away with his family to Spain, where he had been appointed manager of a mine. Old Weil had lost his wife and hardly ever lived in his flat in Paris. Only Christophe and his friend Cécile had kept up their relations with Lucile Arnaud: but they lived far away, and they were busy and hard at work all day long, so that they often did not come to see her for weeks together. She had nothing outside herself.

She was not bored. She needed very little to keep her interest in things alive: the very smallest daily task was enough, or a tiny plant, whose delicate foliage she would clean with motherly care every morning. She had her quiet gray cat, who had lost something of his manners, as is apt to happen with domestic animals who are loved by their masters: he used to spend the day, like herself, sitting by the fire, or on the table near the lamp watching her fingers as she sewed, and sometimes gazing at her with his strange eyes, which watched her for a moment and then closed again. Even the furniture was company to her. Every piece was like a familiar face. She took a childlike pleasure in looking after them, in gently wiping off the dust which settled on their sides, and in carefully replacing them in their usual corners. She would hold silent conversations with them. She would smile at the fine Louis XVI. round-topped bureau, which was the only piece of old furniture she had. Every day she would feel the same joy in seeing it. She was always absorbed in going over her linen, and she would spend hours standing on a chair, with her hands and arms deep in the great country cupboard, looking and arranging, while the cat, whose curiosity was roused, would spend hours watching her.

But her real happiness came when, after her work was done and she had lunched alone, God knows how—(she never had much of an appetite)—and had gone the necessary errands, and her day was at an end, she would come in about four and sit by the window or the fire with her work and her cat. Sometimes she would find some excuse for not going out at all; she was glad when she could stay indoors, especially in the winter when it was snowing. She had a horror of the cold, and the wind, and the mud, and the rain, for she was something of a cat herself, very clean, fastidious, and soft. She would rather not eat than go and procure her lunch when the tradespeople forgot to bring it. In that case she would munch a piece of chocolate or some fruit from the sideboard. She was very careful not to let Arnaud know. These were her escapades. Then during the days when the light was dim, and also sometimes on lovely sunny days,—(outside the blue sky would shine, and the noise of the street would buzz round the dark silent rooms; like a sort of mirage enshrouding the soul),—she would sit in her favorite corner, with her feet on her hassock, her knitting in her hands, and go off into day-dreams while her fingers plied the needles. She would have one of her favorite books by her side: as a rule one of those humble, red-backed volumes, a translation of an English novel. She would read very little, hardly more than a chapter a day; and the book would lie on her knees open at the same page for a long time together, or sometimes she would not even open it: she knew it already, and the story of it would be in her dreams. So the long novels of Dickens and Thackeray would be drawn out over weeks, and in her dreams they would become years. They wrapped her about with their tenderness. The people of the present day, who read quickly and carelessly, do not know the marvelous vigor irradiated by those fine books which must be taken in slowly. Madame Arnaud had no doubt that the lives of the characters in the novels were not as real as her own. There were some for whom she would have laid down her life: the tender jealous creature, Lady Castlewood, the woman who loved in silence with her motherly virginal heart, was a sister to her: little Dombey was her own dear little boy: she was Dora, the child-wife, who was dying: she would hold out her arms to all those childlike souls which pass through the world with the honest eyes of purity: and around her there would pass a procession of friendly beggars and harmless eccentrics, all in pursuit of their touchingly preposterous cranks and whims,—and at their head the fond genius of dear Dickens, laughing and crying together at his own dreams. At such times, when she looked out of the window, she would recognize among the passers-by the beloved or dreaded figure of this or that personage in that imaginary world. She would fancy similar lives, the same lives, being lived behind the walls of the houses. Her dislike for going out came from her dread of that world with its moving mysteries. She saw around her hidden dramas and comedies being played. It was not always an illusion. In her isolation she had come by the gift of mystical intuition which in the eyes of the passers-by can perceive the secrets of their lives of yesterday and to-morrow, which are often unknown to themselves. She mixed up what she actually saw with what she remembered of the novels and distorted it. She felt that she must drown in that immense universe. And she would have to go home to regain her footing.

But what need had she to read or to look at others? She had but to gaze in upon herself. Her pale, dim existence—seeming so when seen from without—was gloriously lit up within. There was abundance and fullness of life in it. There were memories, and treasures, the existence of which lay unsuspected…. Had they ever had any reality?—No doubt they were real, since they were real to her…. Oh! the wonder of such lowly lives transfigured by the magic wand of dreams!

Madame Arnaud would go back through the years to her childhood: each of the little frail flowers of her vanished hopes sprang silently into life again…. Her first childish love for a girl, whose charm had fascinated her at first sight: she loved her with the love which is only possible to those who are infinitely pure: she used to think she would die at the touch of her: she used to long to kiss her feet, to be her little girl, to marry her: the girl had married, had not been happy, had had a child which died, and then she too had died…. Another love, when she was about twelve years old, for a little girl of her own age, who tyrannized over her: a fair-haired mad-cap, gay and imperious, who used to amuse herself by making her cry, and then would devour her with kisses: she laid a thousand romantic plans for their future together: then, suddenly, the girl became a Carmelite nun, without anybody knowing why: she was said to be happy…. Then there had been a great passion for a man much older than herself. No one had ever known anything about it, not even the object of it. She had given to it a great and ardent devotion and untold wealth of tenderness…. Then another passion: this time she was loved. But from a strange timidity, and mistrust of herself, she had not dared to believe that she was loved, or to let the man see that she loved him. And happiness passed without her grasping it…. Then…. But what is the use of telling others what only has a meaning for oneself? So many trivial facts which had assumed a profound significance: a little attention at the hands of a friend: a kind word from Olivier, spoken without his attaching any importance to it: Christophe's kindly visits, and the enchanted world evoked by his music: a glance from a stranger: yes, and even in that excellent woman, so virtuous and pure, certain involuntary infidelities in thought, which made her uneasy and feel ashamed, while she would feebly thrust them aside, though all the same—being so innocent—they brought a little sunshine into her heart…. She loved her husband truly, although he was not altogether the husband of her dreams. But he was kind, and one day when he said to her: "My darling wife, you do not know all you are to me; you are my whole life," her heart melted: and that day she felt that she was one with him, wholly and forever, without any possibility of going back on it. Each year brought them closer to each other, and tightened the bond between them. They had shared lovely dreams: of work, traveling, children. What had become of them?… Alas!… Madame Arnaud was still dreaming them. There was a little boy of whom she had so often and so profoundly dreamed, that she knew him almost as well as though he really existed. She had slowly begotten him through the years, always adorning him with all the most beautiful things she saw, and the things she loved most dearly…. Silence!…