When he left her he did not go home; he could not have gone to sleep. He left the town, and walked over the fields; he walked blindly through the night. The air was fresh, the country dark and deserted. A screech-owl hooted shrilly. Jean-Christophe went on like a sleep-walker. The little lights of the town quivered on the plain, and the stars in the dark sky. He sat on a wall by the road and suddenly burst into tears. He did not know why. He was too happy, and the excess of his joy was compounded of sadness and delight; there was in it thankfulness for his happiness, pity for those who were not happy, a melancholy and sweet feeling of the frailty of things, the mad joy of living. He wept for delight, and slept in the midst of his tears. When he awoke dawn was peeping. White mists floated over the river, and veiled the town, where Minna, worn out; was sleeping, while in her heart was the light of her smile of happiness.

* * * * *

They contrived to meet again in the garden next morning and told their love once more, but now the divine unconsciousness of it all was gone. She was a little playing the part of the girl in love, and he, though more sincere, was also playing a part. They talked of what their life should be. He regretted his poverty and humble estate. She affected to be generous, and enjoyed her generosity. She said that she cared nothing for money. That was true, for she knew nothing about it, having never known the lack of it. He promised that he would become a great artist; that she thought fine and amusing, like a novel. She thought it her duty to behave really like a woman in love. She read poetry; she was sentimental. He was touched by the infection. He took pains with his dress; he was absurd; he set a guard upon his speech; he was pretentious. Frau von Kerich watched him and laughed, and asked herself what could have made him so stupid.

But they had moments of marvelous poetry, and these would suddenly burst upon them out of dull days, like sunshine through a mist. A look, a gesture, a meaningless word, and they were bathed in happiness; they had their good-byes in the evening on the dimly-lighted stairs, and their eyes would seek each other, divine each other through the half darkness, and the thrill of their hands as they touched, the trembling in their voices, all those little nothings that fed their memory at night, as they slept so lightly that the chiming of each hour would awake them, and their hearts would sing "I am loved," like the murmuring of a stream.

They discovered the charm of things. Spring smiled with a marvelous sweetness. The heavens were brilliant, the air was soft, as they had never been before. All the town—the red roofs, the old walls, the cobbled streets—showed with a kindly charm that moved Jean-Christophe. At night, when everybody was asleep, Minna would get up from her bed, and stand by the window, drowsy and feverish. And in the afternoon, when he was not there, she would sit in a swing, and dream, with a book on her knees, her eyes half closed, sleepy and lazily happy, mind and body hovering in the spring air. She would spend hours at the piano, with a patience exasperating to others, going over and over again scales and passages which made her turn pale and cold with emotion. She would weep when she heard Schumann's music. She felt full of pity and kindness for all creatures, and so did he. They would give money stealthily to poor people whom they met in the street, and would then exchange glances of compassion; they were happy in their kindness.

To tell the truth, they were kind only by fits and starts. Minna suddenly discovered how sad was the humble life of devotion of old Frida, who had been a servant in the house since her mother's childhood, and at once she ran and hugged her, to the great astonishment of the good old creature, who was busy mending the linen in the kitchen. But that did not keep her from speaking harshly to her a few hours later, when Frida did not come at once on the sound of the bell. And Jean-Christophe, who was consumed with love for all humanity, and would turn aside so as not to crush an insect, was entirely indifferent to his own family. By a strange reaction he was colder and more curt with them the more affectionate he was to all other creatures; he hardly gave thought to them; he spoke abruptly to them, and found no interest in seeing them. Both in Jean-Christophe and Minna their kindness was only a surfeit of tenderness which overflowed at intervals to the benefit of the first comer. Except for these overflowings they were more egoistic than ever, for their minds were filled only with the one thought, and everything was brought back to that.

How much of Jean-Christophe's life was filled with the girl's face! What emotion was in him when he saw her white frock in the distance, when he was looking for her in the garden; when at the theater, sitting a few yards away from their empty places, he heard the door of their box open, and the mocking voice that he knew so well; when in some outside conversation the dear name of Kerich cropped up! He would go pale and blush; for a moment or two he would see and hear nothing. And then there would be a rush of blood over all his body, the assault of unknown forces.

The little German girl, naïve and sensual, had odd little tricks. She would place her ring on a little pile of flour, and he would have to get it again and again with his teeth without whitening his nose. Or she would pass a thread through a biscuit, and put one end of it in her mouth and one in his, and then they had to nibble the thread to see who could get to the biscuit first. Their faces would come together; they would feel each other's breathing; their lips would touch, and they would laugh forcedly, while their hands would turn to ice. Jean-Christophe would feel a desire to bite, to hurt; he would fling back, and she would go on laughing forcedly. They would turn away, pretend indifference, and steal glances at each other.

These disturbing games had a disquieting attraction for them; they wanted to play them, and yet avoided them. Jean-Christophe was fearful of them, and preferred even the constraint of the meetings when Frau von Kerich or some one else was present. So outside presence could break in upon the converse of their loving hearts; constraint only made their love sweeter and more intense. Everything gained infinitely in value; a word, a movement of the lips, a glance were enough to make the rich new treasure of their inner life shine through the dull veil of ordinary existence. They alone could see it, or so they thought, and smiled, happy in their little mysteries. Their words were no more than those of a drawing-room conversation about trivial matters; to them they were an unending song of love. They read the most fleeting changes in their faces and voices as in an open book; they could have read as well with their eyes closed, for they had only to listen to their hearts to hear in them the echo of the heart of the beloved. They were full of confidence in life, in happiness, in themselves. Their hopes were boundless. They loved, they were loved, happy, without a shadow, without a doubt, without a fear of the future. Wonderful serenity of those days of spring! Not a cloud in the sky. A faith so fresh that it seems that nothing can ever tarnish it. A joy so abounding that nothing can ever exhaust it. Are they living? Are they dreaming? Doubtless they are dreaming. There is nothing in common between life and their dream—nothing, except in that moment of magic: they are but a dream themselves; their being has melted away at the touch of love.

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