His dinner at the Mannheims' had for him the attraction of novelty and something of that of forbidden fruit. The Eve who gave him the fruit sweetened its flavor. From the first moment Christophe had eyes only for Judith Mannheim. She was utterly different from all the women he had known. Tall and slender, rather thin, though solidly built, with her face framed in her black hair, not long, but thick and curled low on her head, covering her temples and her broad, golden brow; rather short-sighted, with large pupils, and slightly prominent eyes: with a largish nose and wide nostrils, thin cheeks, a heavy chin, strong coloring, she had a fine profile showing much energy and alertness: full face, her expression was more changing, uncertain, complex: her eyes and her cheeks were irregular. She seemed to give revelation of a strong race, and in the mold of that race, roughly thrown together, were manifold incongruous elements, of doubtful and unequal quality, beautiful and vulgar at the same time. Her beauty lay especially in her silent lips, and in her eyes, in which there seemed to be greater depth by reason of their short-sightedness, and darker by reason of the bluish markings round them.
It needed to be more used than Christophe was to those eyes, which are more those of a race than of an individual, to be able to read through the limpidity that unveiled them with such vivid quality, the real soul of the woman whom he thus encountered. It was the soul of the people of Israel that he saw in her sad and burning eyes, the soul that, unknown to them, shone forth from them. He lost himself as he gazed into them. It was only after some time that he was able, after losing his way again and again, to strike the track again on that oriental sea.
She looked at him: and nothing could disturb the clearness of her gaze: nothing in his Christian soul seemed to escape her. He felt that. Under the seduction of the woman's eyes upon him he was conscious of a virile desire, clear and cold, Which stirred in him brutally, indiscreetly. There was no evil in the brutality of it. She took possession of him: not like a coquette, whose desire is to seduce without caring whom she seduces. Had she been a coquette she would have gone to greatest lengths: but she knew her power, and she left it to her natural instinct to make use of it in its own way,—especially when she had so easy a prey as Christophe.—What interested her more was to know her adversary—(any man, any stranger, was an adversary for her,—an adversary with whom later on, if occasion served, she could sign a compact of alliance).—She wished to know his quality. Life being a game, in which the cleverest wins, it was a matter of reading her opponent's cards and of not showing her own. When she succeeded she tasted the sweets of victory. It mattered little whether she could turn it to any account. It was purely for her pleasure. She had a passion for intelligence: not abstract intelligence, although she had brains enough, if she had liked, to have succeeded in any, branch of knowledge and would have made a much better successor to Lothair Mannheim, the banker, than her brother. But she preferred intelligence in the quick, the sort of intelligence which studies men. She loved to pierce through to the soul and to weigh its value—(she gave as scrupulous an attention to it as the Jewess of Matsys to the weighing of her gold)—with marvelous divination she could find the weak spot in the armor, the imperfections and foibles which are the key to the soul,—she could lay her hands on its secrets: it was her way of feeling her sway over it. But she never dallied with her victory: she never did anything with her prize. Once her curiosity and her vanity were satisfied she lost her interest and passed on to another specimen. All her power was sterile. There was something of death in her living soul. She had the genius of curiosity and boredom.
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And so she looked at Christophe and he looked at her. She hardly spoke. An imperceptible smile was enough, a little movement of the corners of her mouth: Christophe was hypnotized by her. Every now and then her smile would fade away, her face would become cold, her eyes indifferent: she would attend to the meal or speak coldly to the servants: it was as though she were no longer listening. Then her eyes would light up again: and a few words coming pat would show that she had heard and understood everything.
She coldly examined her brother's judgment of Christophe: she knew Franz's crazes: her irony had had fine sport when she saw Christophe appear, whose looks and distinction had been vaunted by her brother—(it seemed to her that Franz had a special gift for seeing facts as they are not: or perhaps he only thought it a paradoxical joke).—But when she looked at Christophe more closely she recognized that what Franz had said was not altogether false: and as she went on with her scrutiny she discovered in Christophe a vague, unbalanced, though robust and bold power: that gave her pleasure, for she knew, better than any, the rarity of power. She was able to make Christophe talk about whatever she liked, and reveal his thoughts, and display the limitations and defects of his mind: she made him play the piano: she did not love music but she understood it: and she saw Christophe's musical originality, although his music had roused no sort of emotion in her. Without the least change in the coldness of her manner, with a few short, apt, and certainly not flattering, remarks she showed her growing interest in Christophe.
Christophe saw it: and he was proud of it: for he felt the worth of such judgment and the rarity of her approbation. He made no secret of his desire to win it: and he set about it so naïvely as to make the three of them smile: he talked only to Judith and for Judith: he was as unconcerned with the others as though they did not exist.
Franz watched him as he talked: he followed his every word, with his lips and eyes, with a mixture of admiration and amusement: and he laughed aloud as he glanced at his father and his sister, who listened impassively and pretended not to notice him.
Lothair Mannheim,—a tall old man, heavily built, stooping a little, red-faced, with gray hair standing straight up on end, very black mustache and eyebrows, a heavy though energetic and jovial face, which gave the impression of great vitality—had also studied Christophe during the first part of the dinner, slyly but good-naturedly: and he too had recognized at once that there was "something" in the boy. But he was not interested in music or musicians: it was not in his line: he knew nothing about it and made no secret of his ignorance: he even boasted of it—(when a man of that sort confesses his ignorance of anything he does so to feed his vanity).—As Christophe had clearly shown at once, with a rudeness in which there was no shade of malice, that, he could without regret dispense with the society of the banker, and that the society of Fräulein Judith Mannheim would serve perfectly to fill his evening, old Lothair in some amusement had taken his seat by the fire: he read his paper, listening vaguely and ironically to Christophe's crotchets and his queer music, which sometimes made him laugh inwardly at the idea that there could be people who understood it and found pleasure in it. He did not trouble to follow the conversation: he relied on his daughter's cleverness to tell him exactly what the newcomer was worth. She discharged her duty conscientiously.
When Christophe had gone Lothair asked Judith: