And then he did not talk or even try to talk. She went on with her story thinking that he was listening. He sighed and said nothing. When the mother came a little later she found Modesta still talking and Gottfried motionless on the seat with his head flung back facing the sky; for some minutes Modesta had been talking to a dead man. She understood then that the poor man had been trying to say a few words before he died but had not been able to; then with his sad smile he had accepted that and had closed his eyes in the peace of the summer evening….

The rain had ceased. The daughter-in-law went to the stables, the son took his mattock and cleared the little gutter in front of the door which the mud had obstructed. Modesta had disappeared at the beginning of the story. Christophe was left alone in the room with the mother, and was silent and much moved. The old woman, who was rather talkative, could not bear a prolonged silence; and she began to tell him the whole history of her acquaintance with Gottfried. It went far back. When she was quite young Gottfried loved her. He dared not tell her, but it became a joke; she made fun of him, everybody made fun of him,—(it was; the custom wherever he went)—Gottfried used to come faithfully every year. It seemed natural to him that people should make fun of him, natural that she should have married and been happy with another man. She had been too happy, she had boasted too much of her happiness; then unhappiness came. Her husband died suddenly. Then his daughter,—a fine strong girl whom everybody admired, who was to be married to the son of the richest farmer of the district,—lost her sight as the result of an accident. One day when she had climbed to the great pear tree behind the house to pick the fruit the ladder slipped; as she fell a broken branch struck a blow near the eye. At first it was thought that she would escape with a scar, but later, she had had unceasing pains in her forehead; one eye lost its sight, then the other; and all their remedies had been useless. Of course the marriage was broken off; her betrothed had vanished without any explanation, and of all the young men who a month before had actually fought for a dance with her, not one had the courage—(it is quite comprehensible)—to take a blind girl to his arms. And so Modesta, who till then had been careless and gay, had fallen into such despair that she wanted to die. She refused to eat; she did nothing but weep from morning to evening, and during the night they used to hear her still moaning in her bed. They did not know what to do, they could only join her in her despair; and she only wept the more. At last they lost patience with her moaning; then they scolded her and she talked of throwing herself into the canal. The minister would come sometimes; he would talk of the good God, and eternal things, and the merit she was gaining for the next world by bearing her sorrows, but that did not console her at all. One day Gottfried came. Modesta had never been very kind to him. Not that she was naturally unkind, but she was disdainful, and besides she never thought; she loved to laugh, and there was no malice in what she said or did to him. When he heard of her misfortune he was as overwhelmed by it as though he were a member of the family. However he did not let her see it the first time he saw her. He went and sat by her side, made no allusion to her accident and began to talk quietly as he had always done before. He had no word of pity for her; he even seemed not to notice that she was blind. Only he never talked to her of things she could not see; he talked to her about what she could hear or notice in her blindness; and he did it quite simply as though it were a natural thing; it was as though he too were blind. At first she did not listen and went on weeping. But next day she listened better and even talked to him a little….

"And," the woman went on, "I do not know what he can have said to her. For we were hay-making and I was too busy to notice her. But in the evening when we came in from the fields we found her talking quietly. And after that she went on getting better. She seemed to forget her affliction. But every now and then she would think of it again; she would weep alone or try to talk to Gottfried of sad things; but he seemed not to hear, or he would not reply in the same tone; he would go on talking gravely or merrily of things which soothed and interested her. At last he persuaded her to go out of the house, which she had never left since her accident. He made her go a few yards round the garden at first, and then for a longer distance in the fields. And at last she learned to find her way everywhere and to make out everything as though she could see. She even notices things to which we never pay any attention, and she is interested in everything, whereas before she was never interested in much outside herself. That time Gottfried stayed with us longer than usual. We dared not ask him to postpone his departure, but he stayed of his own accord until he saw that she was calmer. And one day—she was out there in the yard,—I heard her laughing. I cannot tell you what an effect that had on me. Gottfried looked happy too. He was sitting near me. We looked at each other, and I am not ashamed to tell you, sir, that I kissed him with all my heart. Then he said to me:

"'Now I think I can go. I am not needed any more.'

"I tried to keep him. But he said:

"'No. I must go now. I cannot stay any longer.'

"Everybody knew that he was like the Wandering Jew: he could not stay anywhere; we did not insist. Then he went, but he arranged to come here more often, and every time it was a great joy for Modesta; she was always better after his visits. She began to work in the house again; her brother married; she looks after the children; and now she never complains and always looks happy. I sometimes wonder if she would be so happy if she had her two eyes. Yes, indeed, sir, there are days, when I think that it would be better to be like her and not to see certain ugly people and certain evil things. The world is growing very ugly, it grows worse every day…. And yet I should be very much afraid of God taking me at my word, and for my part I would rather go on seeing the world, ugly as it is…."

Modesta came back and the conversation changed. Christophe wished to go now that the weather was fair again, but they would not let him. He had to agree to stay to supper and to spend the night with them. Modesta sat near Christophe and did not leave him all the evening. He would have liked to talk intimately to the girl whose lot filled him with pity. But she gave him no opportunity. She would only try to ask him about Gottfried. When Christophe told her certain things she did not know, she was happy and a little jealous. She was a little unwilling to talk of Gottfried herself; it was apparent that she did not tell everything, and when she did tell everything she was sorry for it at once; her memories were her property, she did not like sharing them with another; in her affection she was as eager as a peasant woman in her attachment to her land; it hurt her to think that anybody could love Gottfried as much as she. It is true that she refused to believe it; and Christophe, understanding, left her that satisfaction. As he listened to her he saw that, although she had seen Gottfried and had even seen him with indulgent eyes, since her blindness she had made of him an image absolutely different from the reality, and she had transferred to the phantom of her mind all the hunger for love that was in her. Nothing had disturbed her illusion. With the bold certainty of the blind, who calmly invent what they do not know, she said to Christophe:

"You are like him."

He understood that for years she had grown used to living in a house with closed shutters through which the truth could not enter. And now that she had learned to see in the darkness that surrounded her, and even to forget the darkness, perhaps she would have been afraid of a ray of light filtering through the gloom. With Christophe she recalled a number of rather silly trivialities in a smiling and disjointed conversation in which Christophe could not be at his ease. He was irritated by her chatter; he could not understand how a creature who had suffered so much had not become more serious in her suffering, and he could not find tolerance for such futility; every now and then he tried to talk of graver things, but they found no echo; Modesta could not—or would not—follow him.