Michelangelo

by Romain Rolland

• A
• Academy of painters, Florence, [139].
• Aldovrandi, [10].
• Altoviti (Bindo), [122], [134].
• Amadio d'Alberto, [66].
• Ammanati (Bart.), [110], [139].
• Annunciation, [136].
• Apollo, [74].
• Apollo and Marsyas, [11].
• Arca of S. Domenico of Bologna, [10].
• Archadelt, [86].
• Aretino, [95-98].
• Ariosto, [82].
• B
• Bacchus, [10].
• Baccio d'Agnolo, [50], [52].
• Baglioni (Malatesta), [68], [71].
• Baïf (Lazare de), [69].
• Bandinelli, [22], [66].
• Bandini, [116], [123], [134].
• Bartolommeo (Fra), [24].
• Beethoven, [13], [127], [149].
• Bembo, [82].
• Berni (Francesco), [87], [128].
• Bernin, [160].
• Bertoldo, [6], [7].
• Bettini (Bart.), [134].
• Biagio da Cesena, [95].
• Boboli (Figures in the grotto), [59].
• Boccaccio, [10].
• Borghini (Vincenzo), [139], [141].
• Borgo (Fortifications of), [110].
• Botticelli, [12], [16].
• Bramante, 2[8-31], [35-37], [109], [119].
• Bronzino, [22], [128], [139].
• Brunelleschi, [77], [119].
• Bugiardini (Giuliano), [7], [37], [128].
• Buonarroti (Lodovico), [1], [76].
• Buonarroti (Lionardo, son of Lodovico), [1], [12].
• Buonarroti (Buonarroto), [1], [49], [76].
• Buonarroti (Giovan Simone), [1], [130].
• Buonarroti (Sigismondo), [1], [130].
• Buonarroti (Lionardo, son of Buonarroto), [115], [130], [132], [135], [138], [140].
• Buonarroti (Francesca), [130].
• Buoninsegni (Domenico), [52], [61].
• C
• Calcagni (Tiberio), [124], [126].
• Capitol, [120-121].
• Capponi (Niccolo), [66], [67].
• Carducci (Francesco), [67], [68].
• Carnesecchi (Pietro), [83].[{186}]
• Carpi (Cardinal), [116].
• Carracci, [166].
• Carrara, [26], [27], [30], [51], [54], [55].
• Caryatid in the Hermitage, [48].
• Castiglione (Bald.), [82].
• Cavalcanti, [87].
• Cavalieri (Tommaso dei), [80], [81], [97], [134], [137], [138].
• Cecchino dei Bracci, [128].
• Cellini (Benvenuto), [22], [128], [139], [148], [158], [160], [163].
• Christ of the Minerva, [49], [58].
• Christ, incompleted.
• Cino da Pistoia, [87].
• Civitale, [107].
• Clement VII, [54], [56], [59]. [60], [61], [74-76], [128].
• Clement VIII, [100].
• Colonna (Vittoria), [82-86], [89], [93], [147].
• Colossus of Florence, [62-64].
• Combat of Centaurs and Lapiths, [8].
• Condivi, [129].
• Consilium, [86].
• Contarini (Cardinal), [83].
• Corregio, [155].
• Credi (Lorenzo di), [7].
• Cronaca, [16].
• Crucifix in wood of the convent of S. Spirito, [10].
• Crucifixion, [85].
• Cupid sleeping, [11].
• D
• Dante, [10], [57], [87], [106-107].
• David, colossal, [16-18], [97].
• David in bronze, [17].
• Descent from the cross (Duomo, Florence), [126], [127].
• Descent from the cross, drawing, [85].
• Dolce (Lodovico), [82].
• Donatello, [6], [7], [10].
• Doni (Agnolo), [24].
• Duccio (Agostino di), [16].
• Dürer (Albrecht), [25], [150].
• Dying Adonis, [11].
• E
• Entombment, [11].
• F
• Farnese (Palace), [111].
• Fattucci, [62], [63].
• Febo di Poggio, [80].
• Ferrara (Renée de), [83].
• Festa (Constanzo), [86].
• Francesca (Piero della), [23].
• Franco (Battista), [159].
• Francis I, [69].
• Frizzi (Federigo), [58].
• G
• Gaeta (Pier Luigi), [117], [137].
• Ghiberti, [4].
• Ghirlandajo (Domenico), [2-6].
• Ghirlandajo (Ridolfo), [23].
• Giannotti (Donato), [65], [87], [115], [128].
• Giberti, [83].
• Giotto, [4].
• Granacci (Francesco), [2], [7], [22], [37].
• H
• Hercules and Cacus, [66].
• Hercules, colossal, [11].[{187}]
• Holland, Francis of, [13], [83].
• Holy Family (Agnolo Doni), [24].
• Holy Family (Bart. Pitti), [24].
• Holy Family (Taddeo Taddei), [24].
• I
• Indaco, [37].
• J
• Jacopo di Sandro, [37].
• Jove (Paul), [82].
• Julius II, [26-36], [43-44].
• Julius II (Tomb of), [26-36], [45-47], [48-50], [72], [89-96], [102], [103].
• Julius II (Bronze statue of), [33-34].
• Julius III, [109].
• L
• Last Judgment, [91-102].
• Leah, [105-107].
• Leda, [67], [74].
• Le Noyer (Robert), [100].
• Leo X, [50-54], [57], [59].
• Leone Leoni, [128].
• Lippi (Filipino), [23].
• Lomazzo, [153], [155].
• M
• Madonna of Bruges, [25].
• Madonna and child (bas-relief in bronze), [9].
• Majano (Benedetto da), [4].
• Mantegna, [14].
• Marcellus II, [114].
• Masaccio, [4].
• Medici (Lorenzo de'), [6], [7], [13].
• Medici (Alessandro de'), [65], [76].
• Medici (Duke Cosmo de'), [78], [115-117], [129], [130], [138].
• Medici (Don Francesco de'), [129], [134].
• Medici (Tombs of the), [59-62], [71-74].
• Michi (Giovanni), [38].
• Minni (Antonio), [69], [75], [131], [134].
• Mino da Fiesole, [4].
• Mirandole (Pico della), [7], [10].
• Montelupo (Raffaello da), [77], [103], [107].
• Montmorency (Constable de), [47], [69].
• Montorsoli (Giovanni da), [77].
• Moses, [47], [104-106].
• Moses (small), [138].
• N
• Nanni di Baccio Bigio, [112-118].
• Navarre (Marguerite de), [83].
• Noli me tangere, [134].
• O
• Ochino (Bernadino), [83].
• P
• Palla (Battista de la), [68].
• Paul III, [89-112], [109], [114].
• Paul IV, [99], [114], [118].
• Pauline Chapel, Frescoes of, [102].
• Perini (Gherado), [80], [97], [134].
• Perino del Vaga, [22], [111], [156], [163].
• Perugino, [22], [91].
• Peruzzi (Baldi), [109].
• Petrarch, [10], [87].
• Petreo (Antonio), [65].
• Pierfrancesco d'Urbino, [66].[{188}]
• Piero di Cosimo, [23].
• Pietà of St. Peter's, [14], [15].
• Pietà Rondanini, [137].
• Pietà, drawing, [137].
• Pietà, [13].
• Pinturicchio, [23].
• Pius IV, [122].
• Poems of Michelangelo, [86-89].
• Pole (Cardinal), [83].
• Poliziano (Angelo), [7], [8], [10], [128].
• Pollajuolo, [3].
• Pontormo, [22], [134].
• Porta (Guglielmo della), [111].
• Porta Pia, [120-122].
• Poussin, [153], [154].
• Pulci, [7].
• Q
• Quercia (Jacopo della), [4], [10].
• R
• Rachel, [105-107].
• Raffaellino del Garbo, [23].
• Raphael, [3], [22], [28], [36], [50], [109], [143], [155], [156].
• Resurrection of Christ, [85].
• Riccio (Luigi del), [65], [86], [128], [135].
• Rossellino (Antonio), [4], [107].
• Rosso, [22].
• Rustici, [7].
• S
• Sadolet, [83].
• St. Peter's (construction of), [27].
• St. Peter (statue), [137].
• St. Matthew, [18].
• Salviati, [22].
• Samaritan woman at the well, [85].
• San Gallo (Antonio da), [16], [50], [109-111], [122].
• San Gallo (Aristotele da), [22].
• San Gallo (Francesco da), [66], [139].
• San Gallo (Giuliano da), [31], [43], [50].
• San Lorenzo (façade of), [50-57].
• San Lorenzo (sacristy of), [59].
• San Lorenzo (library of), [60], [78].
• San Lorenzo (chapel of the Medici), [76-78].
• Santa Maria degli Angeli, [120], [122].
• San Miniato (defense of), [66-67], [70].
• Sansovino (Jacopo), [22], [50], [112].
• Sansovino (Andrea del Monte), [7], [50].
• Sarto (Andrea del), [22].
• Satyr (laughing), [8].
• Savonarola, [8-14].
• Schongauer (Martin), [4], [5].
• Sebastiano del Piombo, [58], [70], [87], [111], [128], [134], [150].
• Serlio (Sebastiano), [66].
• Signorelli, [14], [23].
• Sistine chapel (ceiling of), [36-42].
• Slaves, [47], [49].
• Soderini, [16], [19].
• Sodoma, [23].
• Strozzi (Roberto), [47], [134].
• T
• Tasso (Bernardo), [82].
• Temptation of St. Anthony, [4].
• Tintoretto, [151], [165].
• Torrigiani, [7].
• Tribolo, [78], [165].
• Tromboncino, [86].[{189}]
• U
• Urbano (Pietro), [58], [131].
• Urbino, [103], [132], [133].
• V
• Valori (Baccio), [71], [75].
• Varchi, [68], [86], [128].
• Varj (Metello), [49], [58].
• Vasari, [20], [78], [101], [111], [128], [139], [140], [153].
• Venusti (Marcello), [100].
• Veronese, [99].
• Verrocchio, [3].
• Victory, [138], [140].
• Vignole, [128].
• Vinci (Lionardo da), [18-22], [24].
• Virgin of Manchester, [11].
• Vitruvius, [77].
• Volterra (Daniele da), [100], [128], [136], [140], [158].
• W
• War with Pisa (Cartoon), [18-23].
• Z
• Zucchero, [153], [159].

THE END

FOOTNOTES:

[1] Condivi

[2] Drawings in the Louvre from the frescoes of Santa Croce.

[3] Munich. Drawings from the frescoes of the Carmine.

[4] In the collection of the Medici a St. Jerome by Van Eyck was valued at forty ducats, the Giottos and Fra Angelicos at only ten ducats. The Flemings were no less appreciated at Urbino where Justus of Ghent had painted, whose frescoes were copied by Raphael when he was a child, and at Rome where Jan Ruysch, twenty years later, was to work on the Stanze, and throughout the kingdom of Naples—not to mention the great collection of Flemish pictures in the north of Italy, like those of Cardinal Grimani at Venice, and of Cardinal Bembo at Padua.

[5] Michelangelo was to receive six florins the first year, eight the second and ten the third.

[6] "On the 10th of May, 1508," as he wrote at a later time, "I Michelangelo, sculptor, began to work on the paintings of the Sistine Chapel."

[7] He had for his companions at Bertoldo's, Granacci, the sculptors Rustici, Baccio di Monte Lupo and Andrea del Monte-Sansovino, the painters Niccolo Soggi, Lorenzo di Credi, Giuliano Bugiardini and the brutal Torrigiano dei Torrigiani, whose blow left its mark on Michelangelo's face for life.